"Yin and Yang Devil 1983 Movie Edition"-can't be scared, really can't scare

Michelle 2022-08-06 20:24:33

There are many versions of the classic American sci-fi drama "The Devil of Yin and Yang". The oldest 1959 version on the Internet has only the first two seasons of cooked meat. Although the 1985 and 2002 versions are less classic than the former, they are also attracted by their vague and strange stories. audience. This film is the film version of "The Devil of Yin and Yang" directed by four directors including Steven Spielberg. It is composed of four and a half short stories. The quality is mediocre. The play "Black Mirror" is inspired by this play, which shows its immortality. There are many similar collections of short horror stories. The older and more popular ones belong to this drama, "Hitchcock Suspense Tales", "Masters of Horror", "World's Wonders", etc. This kind of creativity is quite creative. The dramas with deep and brain-opening stories are really fascinating.

Although the four and a half stories of this film are not up to the level of the drama, as a segmented horror film, it can be easily watched without testing the patience and brain power of the audience.

Prologue: A man drove a hitchhiker on the road and was smug in a game of scaring the hitchhiker, and the hitchhiker decided to scare him too.

There are many stories about hitchhikers. The 1986 "Devil Hitchhiker" was remade in 2007. It is said that the film once caused the US hitchhiking craze that year. The strong spread has a wide range. There is also a "Dark Country" that also tells the story of a hitchhiker. This story is more similar to the thinking of "Horror Cruise" and is worth watching.

The first story: The racist went out after a long talk in the bar, but traveled to the fascist, KKK, and Vietnam War to experience the pain and despair of being Jews, blacks, and Vietnamese.

The most favorite of the four stories, the rhythm is fresh and the atmosphere is tense, the theme is deep, and the excellent results are achieved in short wins and clever voices. Like the scenes in the stills, the intimidated sections on the edge of the sky are really my great love.

The second story: The optimistic and magical elderly travel between different nursing homes to help them realize their dreams, accept reality, and maintain a happy childlike innocence.

Spielberg's story is relaxed, lively, fresh and warm, and generally average, like the magical version of "Driving for Miss Daisy".

The third story: Haohao, the teacher meets a super-powered child, and after some shock, he decides to go with him.

The special effects of the four stories are more deliberate and funny, a hodgepodge of realistic animations, with a sense of horror as low as dust, and then a flower is bloomed.

The fourth story: A certain man found a monster outside the window of an airplane, so he shot and broke the window. The airplane finally landed safely. Is he a madman or a hero?

A lot of usable details in this story are wasted: the actor's panic at the beginning, his writings, the little girl's Polaroids, etc., in the end just let the ending echo the prologue, turning the driver into a thriller The origin of the horror is average.

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Extended Reading

Twilight Zone: The Movie quotes

  • [Connor has been loaded into a freight car by the Nazis, presumably heading for a concentration camp. He peers out and can see the outside of the bar he left in 1982 with his friends Ray and Larry looking for him]

    Bill Connor: [increasingly despondent] Ray? Ray. Ray! Larry. It's me. Larry. Larry! Larry, help. Ray, it's me. Hey, Larry. Ray, it's me. Ray, help. Larry.

    [the freight care begins pulling away]

    Bill Connor: Ray. It's me, it's me! It's me, it's me. Help! Ray, help. It's me. Ray. Ray, help. IT'S ME! IT'S ME! IT'S ME!

  • [all of the Sunnyvale residents who were young have returned to their current ages, except for Mr. Agee who is still a boy. Conroy, who missed out on being young again, pleads to him]

    Mr. Leo Conroy: Please, take me with you. I wanna go too.

    Young Mr. Agee (segment "Kick the Can"): You can't come with me, Leo. You'll have to stay with yourself. There's a destiny that shapes our ends, rough-hewn though it may be. I'm sorry. Well, let's away.

    Mr. Leo Conroy: But... but I'm ready now. I'm ready.

    Young Mr. Agee (segment "Kick the Can"): It's wonderful being young again. Beware the thrust of my steel! Tally-ho!

    [Agee leaps from the window and vanishes into the night]