Not long ago, I saw a movie "Orange" shot with an iPhone. The color and texture are not comparable to the high-definition camera, but it can capture an incredible sense of reality. Soderbergh's new film also has this advantage, and it also uses a wide-angle lens to change the conventional sense of space and show the strange asylum environment in the eyes of the protagonist. There is still a lot of novelty in the storyline, and the suspense design is straightforward, but the various types of mixing make people feel uncomfortable and abrupt when watching. I feel that the director has been too careless in his style handling, failing to form a coherence in one go. The editing and dialogue design is full of retro flavor, like American dramas in the 90s such as "X-Files", unearthed unexpected absurdity in seemingly ordinary real life, and make better use of subjective perspectives to gradually create a horrible thriller. Atmosphere. This approach is exactly the same as his "Bubble" many years ago, but this new film has a more down-to-earth commercial flavor. The topic of insurance fraud in a lunatic asylum obviously has a strong sense of criticism. The heroine's performance is quite brilliant, and the unexpected ending is also a highlight of the film.
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