You still owe me 200 yuan

Rosario 2022-04-23 07:03:20

Chonggu does not mean stale, rather than saying that Bogdanovich is a New Hollywood director who adheres to the most classical style (maybe except Cimino), it is better to say that he has truly inherited the mantle of the modern film pioneers of the golden age. The film's neat long-lens scheduling is almost dazzling, and in addition to the Welles-style momentum and film noir lighting, it is close to a John Ford: Two-person dialogue ("2", the natural Structure) shooting method always strengthens the hint of confrontation and provocation, and the efficiency of front and back shots (usually one "quiet" and one "moving") and POV shots are maximized. Starting from the funeral - "carriage", it is done in the boundless field. Well, it's a quintessential western tradition; according to the same tradition, one of the old partners always reappears from the horizon after they are separated, and the looting of trading with the Indians in the wild is a trivial episode by comparison.

Consuelo 2022-03-23 09:02:34

It's hard to imagine that Bogdanovich, who shot The Last Picture Show three years ago, would come up with such a childish and deliberate work. Putting it together with Alice in the Cities, it's like Caspar David Friedrich and a street poster.