The story is very simple. A writer who is sexually addicted and unwilling to take responsibility for others, a review of his own life, this is Woody Allen's self-deprecating analysis of himself. I say that it ranks in the top 5 because it has a very special narrative structure like pulp fiction. The story begins with a man and his wife and sister secretly hiding and making love at a family gathering, and then the perspective suddenly shifts to the writer himself and his world-the writer has written his family experience and love experience exaggeratedly and grafted into a popular one. s story. In reality, as a good writer, he was awarded an honorary degree by the university that had been ordered to drop out. In the process of finding someone to accompany him to accept the degree, these stories were grafted into his own life because of various opportunities. These stories have been exaggerated. It is also true and false, so the actor is not himself, but progresses with reality, creating a feeling that the people in these stories exist in parallel rather than in the past. Later, through the illusion of the writer, the reality and the parallel story were merged, so that the parallel characters paid tribute to the writer-the writer was obsessed with the world he created, and in that world he was the god of creation. At the end of the movie, he found a new writing inspiration through the compliments of his characters to him, and he wrote the guy who was addicted to the world of his creation into a new story. In a sense, he shattered and scattered his life and then reorganized and diverged into stories by him. Every story has him, but not him. All the stories are put together and found through the writer’s own narrative line. After returning to the order, he became a complete self. And the Harry you see is just a kind of analysis of himself. He fantasizes about himself in hell, which makes reality go absurd, and at the same time implies that this is just another story in his pen, and that this person who looks the same as him in reality is just another fragment. Is there a feeling of being circled in the story momentarily? Break and reorganize. The story materials are old, and the stories are new. The new stories have the breath of old materials, but each new story cannot replace a whole story. Their elements are similar, but the logic is different. Ever thought of Peter Eisenman. Deconstruction, bingo! In addition to this general structure, Woody Allen also has a strong ability to control the short stories of each new group. After making love, the protagonist opened the door and met the god of death, the last thing that was written in hell, who pretended to be in every layer of hell, saw his father at the bottom of hell (implying the influence of the original family on him)... Humorous and absurd, he can really play. Woody Allen is such a genius. I am still very excited after reading it, but the story can still be said. I suddenly thought of Voldemort's Horcruxes, which are roughly the same in form. The difference is that each Horcrux can have an entire Voldemort, while the characters in each story are just independent individuals with part of Woody Allen's soul.
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