To be honest, from the moment the opening music sounded, I had a bad premonition: usually this sonorous 70s disco soundtrack is either a road movie or an American straight male cancer. With this prejudice, I was sitting on pins and needles for the first half an hour, trying to endure the low-level scolding between the characters and their hot-eyed nostalgic clothes. Not to mention that after the start of the gun battle, the deafening gunfire and tightly edited footage made people dizzy, and it didn’t feel very good. Some people kept getting up and leaving the field in the middle, and the people next to them joked to the audience in their positions, "It’s not that way. That's bad!"
But after all, I still gave three stars (in fact, if I can, I would like to give two and a half stars), there are still advantages. I have to say that the soundtrack is good. The rock music of the earth and the country folk songs of John Denver appear alternately, looking for opportunities to promote the plot and atmosphere, which is quite the essence of violent aesthetics. Although the final reversal is not wonderful, it is also a small highlight. At least the only blonde in this film is not reduced to a black comedy sauce. Disadvantages. I personally feel that it’s really not very clever to drag on for an hour and a half by cursing, which reduces the black sense of humor that may be produced by the original "interlocking, wrong step and wrong step". In fact, if you shorten the time by half and reduce one or two characters (anyway, everyone is on the ground and the camera is cut so densely, it is often difficult to tell who is who is behind), it will be a good low-cost black comedy. .
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