The focus is on the murder case? no.
When Diane Keaton was dealing with the two men, she felt very relaxed and comfortable, because at this time the so-called world was centered on her, and the murder was just a cover. She made herself two men through the murder. Focus.
When the second woman sorted out all the logic, she showed doubts, opposition and anxiety.
"Where did you find this woman?"
Let's return to the non-essential but titled murder case. In the old-fashioned detective story, in the end, other strange detective novels saved the whole case.
Recording has always been very useful as a turning point in God's logic, let alone use the clips of the recording to deceive people.
In the end, shooting at the same time in the movie and the reality full of mirrors is really exciting.
The supplementary points have little to do with the film, and the copy can also be copied as a master. Just have a style. Don't copy one part, part part, don't always copy one person, change the copy, don't copy the content, copy the form .
"Stardust"-Fellini "Eight and a half"
"The Radio Age"-Fellini "Amacord"
"Midsummer Night Sex Comedy"-Bergman "Summer Night Smile"
"Deep In My Heart"-Bergman "Shouting and Whispering"
"Crime and Punishment"-Bergman "Wild Strawberry"
"Love and Death"-Bergman "The Seventh Seal"
[The favorites are basically these...Facts have proved that the form of the Holy Trinity is good, and the content of Woody is good~]
View more about Manhattan Murder Mystery reviews
