two most comfortable generations I’ve seen in his play. The four affairs are all expounding the blindness and accident of love. They are still verbose, verbose, verbose, and without a trace, shake off the cowardly humanity of a place. From the perspective of a bystander to see how unreliable the love at first sight of this kind of electric light flint is, but in the game, I am afraid that few people can really realize what is right or wrong, even if it has crossed the age gap, status gap, and level. The high wall is only for being together. After being together, the desperate impulse to retreat can it run into the so-called life is the final argument of each affair. The risk is high and the cost is expensive. Why do so many people try? Because people are after all Like the new and hate the old, I can’t see what is most necessary to myself
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