The visual impact of the second episode is no longer so violent. The plot and rhythm are emphasized, and I have to say that I have a good grasp. During the chapel massacre, all the audience knew that there was going to be a massacre, but Quentin kept dragging the scene. Bill and Uma blessed and thanked each other for a long time, and brought the audience’s hearts to their throats. Here comes, it's done in 1 second. It's just what you expected, he just didn't come like this. For another example, killing the boss in one level is a bit tricky, and there is a plot where the protagonist is defeated by Miao. Just as the protagonist is out of anger and prepares for revenge, Miao’s little boss is killed by the boss in the next level. It won't make you cool until the end. Well, it's finally time for Boss Bill to break into the boss's nest, but there is a family relationship drama that is not in line with the entire movie series, which is really touching. The audience tilted their heads and wondered whether Uma should fight the boss or not, or should it? Bill sat down and talked about his views on American comics, the difference between Superman and Batman Spiderman. This is the same as the film critic in "Inglourious Basterds" talking about Selznick in front of Churchill. It belongs to Quentin's personal thoughts on irrelevant things through the mouth of the character. It is said that the second episode is a Chinese element, and in the end it is still inseparable from the Five-Point-Palm Exploding-Heart Technique. Bill kept stressing that he was hurt, and finally heart explode.
It's over, the ending song is really nice, but the maverick is not over yet. In the two episodes of this series, no matter which small role appeared in the corner of the horn, they all go through the order of exit, and each actor is the subtitle treatment of the lead starring.
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