"Guess who is coming to the dinner"-The Voice of America

Karelle 2022-01-07 15:52:51

In that hot era of racial problems, youth problems, and problems of social trends, Hollywood ushered in two good movies starring Sidney Poitier in 1967, but it’s very interesting that Poitier played The characters are basically the styles and styles of the actor's "Lily in the Field" before, and the white male protagonists who acted in the opposite role with him performed wonderfully and were nominated for the actor of the year. One is "Hot Night", and the other is "Guess Who Is Coming to the Dinner".



Looking at the title, you can think that this is a family drama about interracial marriage, because after the white beauty and the black doctor have hurriedly decided to get married, their families will have their own different ideas, the feelings and estrangement between people. Inevitably appeared. At this point, the first thing I want to emphasize is that this is not a perfect script. As mentioned in the tidbits, if Mr. Plantis is not such a well-known doctor, will their love be established? Since the parents are newspaper giants and gallery directors, why is the daughter so pure and persistent? But for an original script, the details in the story can be described as carefully crafted. The use of comedy to slow down the conflict, coupled with the continuous changes in the combination of characters, can also be seen in Polanski's "Killing" 45 years later. This is of great help in conveying the inner thoughts of each character more accurately, and connecting the stories in the background of the small pattern. Therefore, the award for the best original screenplay is an excellent affirmation of William Rose's outstanding creation.



However, the film's brilliance came to a greater extent from the two old men. Spencer Tracy passed away two weeks after starring in the film. In the process of watching the film, who would have thought that this brilliant, strong-spoken, and straight-tempered father had reached the end of his life. Catherine Hepburn was at the end of his life. In her speech, she kept staring at her intently and with tears. It was not so much her acting skills as her true feelings. And Stanley Kramer also fully used the advantages of an independent producer to fully express what he was trying to express. He used the technique of moving the mirror back and forth many times when the characters were constantly switching positions and mental states, making The audience can be deeply immersed in the story, and the director's skill is extraordinary. He can be called the pioneer of the times, and he was the good voice of the United States in that era. He retained that period of history with film and changed history.









Featured notes:



1. This movie appeared in the year before Martin Luther King was murdered. American racial problems and conflicts were serious;

2. At that time, 16 state laws stipulated that blacks and whites were not allowed to marry, and blacks had to sit behind on the bus. White people can’t be used in platoons, in the toilet, etc.;

3. The kissing scene in the opening taxi is the first time a black man and a white woman kissing in the movie;

4. Before the filming started, Sidney Poitier (a black doctor) ) Asked Director Kramer: Do you think this country is ready to watch movies of this type? Kramer said: No, but we have to shoot;

5. This is the ninth time that Spencer and Catherine Hepburn have collaborated. After the first day of shooting, Sony used Spencer Tracy as an excuse to be in poor health. The film was cancelled, but that night Kramer and Hepburn informed the Columbia company that they were willing to use their wages to pay for Tracy's insurance premium, and the company gave the green light the next day.

6. Kramer’s wife recalled that she and her husband received multiple death threats;

7. Poitier was criticized by the black community for playing successful and heroic roles in the movie; (It can be seen that such an image does not represent black people. (Social status at the time)

8. In a TV interview in 1978, Kramer mentioned that he had a good relationship with Poitier, but Poitier thought it was still difficult for whites to accurately express black films, so Poitier himself became a director. ;

9. expression of racial themes make it easier for whites and neutral person to be a comedy way;

10. Virgin Reid (steak takeout delivery boy actor) danced the dance to pick up fragments of black girls out to play was his own idea , Free to play, not Kramer’s creativity;

11. This film is quite tormenting for the final actress Catherine Hepburn. In the film, his niece (Catherine Horton) appeared in the film for the first time, and he had to face it. To Spencer Tracy’s near-death state;

12. Spencer can only film in the morning, and his condition is very serious;

13. After filming the final speech paragraph on the last day, Spencer and all his friends said: I After finishing this movie, I think the effect should be good;

14. Director Stanley Kramer was born in a low-level community in New York (hell kitchen?). When he was young, his father left his mother and was raised by his mother. The education was very strict;

15. After completing his military service, Klay Mo and his military partners jointly established a company;

16. Stanley was the first independent producer.

View more about Guess Who's Coming to Dinner reviews

Extended Reading
  • Elias 2022-04-24 07:01:16

    Bright theme legend classic

  • Jodie 2022-03-27 09:01:13

    3.5; An entertaining and superficial social problem drama that has aged poorly and seems self-congratulatory by today's standards.

Guess Who's Coming to Dinner quotes

  • [last lines]

    Matt Drayton: Now Mr. Prentice, clearly a most reasonable man, says he has no wish to offend me but wants to know if I'm some kind of a *nut*. And Mrs. Prentice says that like her husband I'm a burned-out old shell of a man who cannot even remember what it's like to love a woman the way her son loves my daughter. And strange as it seems, that's the first statement made to me all day with which I am prepared to take issue... cause I think you're wrong, you're as wrong as you can be. I admit that I hadn't considered it, hadn't even thought about it, but I know exactly how he feels about her and there is nothing, absolutely nothing that you son feels for my daughter that I didn't feel for Christina. Old- yes. Burned-out- certainly, but I can tell you the memories are still there- clear, intact, indestructible, and they'll be there if I live to be 110. Where John made his mistake I think was in attaching so much importance to what her mother and I might think... because in the final analysis it doesn't matter a damn what we think. The only thing that matters is what they feel, and how much they feel, for each other. And if it's half of what we felt- that's everything. As for you two and the problems you're going to have, they seem almost unimaginable, but you'll have no problem with me, and I think when Christina and I and your mother have some time to work on him you'll have no problem with your father, John. But you do know, I'm sure you know, what you're up against. There'll be 100 million people right here in this country who will be shocked and offended and appalled and the two of you will just have to ride that out, maybe every day for the rest of your lives. You could try to ignore those people, or you could feel sorry for them and for their prejudice and their bigotry and their blind hatred and stupid fears, but where necessary you'll just have to cling tight to each other and say "screw all those people"! Anybody could make a case, a hell of a good case, against your getting married. The arguments are so obvious that nobody has to make them. But you're two wonderful people who happened to fall in love and happened to have a pigmentation problem, and I think that now, no matter what kind of a case some bastard could make against your getting married, there would be only one thing worse, and that would be if - knowing what you two are and knowing what you two have and knowing what you two feel- you didn't get married. Well, Tillie, when the hell are we gonna get some dinner?

  • John: After all, a lot of people are going to think we are a shocking pair.