As far as the movie is concerned, although the creation of Wolverine is very successful and cute, he is a little carrot head compared to Magneto, who is powerful, black-bellied and elegant. Seeing the second episode of X-men, when Magneto used three bullets to "fly over" the plastic prison, the audio-visual effect at that moment was simply the realm of the Buddha with a smile, and the dust was not stained. The power and invincibility of this subtle Eastern style made the western men and women in the theater stunned and dumbfounded. Alas, the old man Ian Mckellen was really not built...
Just because of Magneto’s peculiar charm, the script of First Class came out, which is said to be the prequel to Magneto. But then the producer changed the script, so there is today's love blockbuster between Professor X and Magneto.
Said it is a romantic movie, because even if you let the guys watch it, the plot design of bromance is truly affectionate. Coupled with the interpretation of two British actors, it can easily turn into a story about 8 o'clock in chicken blood. Became Shakespeare's Macbeth. The charm of theatrical performance is nothing but this. Of course, if the audience feels sad, but tries hard not to be moved, then they are acting cool.
The young Professor X played by James M. at first seemed cynical and easygoing, like an ordinary young man who can enjoy life. But after meeting the young Magneto, the characteristics of Jesus Christ in the bones of the professor became increasingly obvious. He has to pull Magneto every three to five, whether it is from the water, or from the nightmare of the other party, from the entanglement in his heart. There is also a group of teenagers in the 60s who caused countless troubles by twittering. If you want to come to a professor, you are a natural educator, so it is only natural to open a school.
By the end of the film, the professor controlled Magneto’s mortal enemy and begged the latter not to kill. But the latter couldn't hear it, so the professor who could accept all the sensory functions of the bad guy had to take a deep breath, and then watched the coin pass through "his" head. Of course, there was also Magneto's face of revenge and satisfaction. This kind of sacrifice looks terribly bloody, but the plot is designed to be extremely natural, so when things come, the audience realizes how difficult it is to teach this Jesus.
To tell the truth, to portray a good person as a Virgin or Christ, or to portray a bad person as a pure demon, is a manifestation of the screenwriter's incompetence. That's why James M. only talked about in the interview: When the professor was young, he was still a little bit carefree and lustful. This can be regarded as a little justification for the character creation. But I personally think that it is this "noble, kind and spotless" quality that discounts the image of the professor: Imagine how you can explain a superman who has the ability to be close to God and can see through the minds of all people. What about such tolerance and pity? From an aesthetic point of view, such a god has the boringness of Christianity and has lost the human charm of ancient Greek and Nordic mythology.
Compared to a professor like a Virgin, Magneto is a man of flesh and blood. The actor is Michael Fassbender. When this person appeared in 300 li, even this color radar predicted that the German would become popular sooner or later: a pair of big postmodernist confused and fragile eyes, a cruel hard chin and thin lips, and a small waist with a full grip. , The whole body is uncoordinated, but people can't help but look at it again. Later, he swaggered in Inglourious Basterds wearing a SS uniform: Why do you think the Germans act as German officers?
The handsome in this film is probably occupied by Magneto. First of all, the image of this character is a scared man, full of holes from the spirit to the body, and it implements the fine tradition of man knocking out his teeth and swallowing it in the belly. In addition, from the point of view of superpowers, although the professor is powerful, he can only play with "possession" by rubbing his temples. Magneto moves the Golden Gate Bridge at every turn to fish for a deep-sea submarine. Did you notice? When this Magneto made all kinds of destructive actions, his gestures were quick and neat. But when he was working on a super crane, his hands were very slow and stretched, and there was a faint smell of two or two strokes. In the end, he fished out the submarine and fired missiles. The scenes of the big scene are extraordinary, gorgeous and colorful, but the style is very classic and simple. Unlike the Transformers, which are full of steel parts, it can be seen that the director and photography are really excellent. The audience under the screen and the thousands of US-Soviet soldiers on the screen are probably only secretly called oh my lady gaga.
But even with these two handsome and majestic characters, when they are performed in detail, the tears can be retracted freely, and they will never make the audience feel abrupt. If the screenwriters and actors can do this, this film is a great value.
In the end, the two friends turned against each other, but this hatred seems to be interpreted by X-men's other movie scripts as a hatred of "to things but not to people". This is a typical classical opponent logic: I disagree with your point of view, but I still respect you as my enemy. Therefore, no matter how much friendship the two people owe to each other, they will break when it is time to break, and they will not be procrastinated, and will go their separate ways ever since. Only when the professor waited until Magneto left, did he spit out I cannot feel my legs, which made the sensitive female audience remember it for a long time. Good plot design requires this kind of effect.
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The following is a sentence Tucao after seeing the overwhelming "Jiqing" film reviews: Those who
see the so-called "Jiqing" are mostly unwilling to be lonely and emotionally rich girls. In fact, no matter the base of the same sex or the love of the opposite sex, it needs the flesh to sublimate to a certain stage. But looking at the story of Xavier and Magneto, which consists of four films, if the two are still looking through the same book decades later, this relationship probably has nothing to do with gender.
Allowing the British to interpret Plato is undoubtedly the most appropriate choice for the current literary and artistic circles.
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