Learn to make movies with sister Coppola

Grace 2022-01-08 08:01:45

In the first few minutes of the subtitle, what appeared in the shot was a black Ferrari sports car spinning at high speed alone, one circle after another, one circle after another... From the beginning to the end, the lens remained in the middle shot. not moving at all! Just when the audience thought whether the projector was broken, the car finally stopped, and a young man dressed in "low-key fashion" walked out of the car.

In fact, everyone can leave when they see here. Because the following story is the constant repetition and extension of this scene-the boring and lonely life of the depressed star under the halo is like a runway that can't be turned out, like the camera that never moves. The purpose of telling this story is to let the good-looking audience also spend an hour and a half of boredom and loneliness.

I hate Coppola very much. I don’t like the old ones, and I just sneer at the little ones. From her first movie, it’s obvious that this person has not lived a normal life, so she was once When I borrowed the movie to cry again and again, "I'm so lonely, I'm so sad, I'm so cold", I drank Coke in front of the screen and rolled my eyes, "Miss, you have enough, you! You can do it even if you want to trouble." Come on level!"

You said that the old lady is a commoner, why it takes an hour and a half (for some other students to add the movie ticket) to see the groaning of a big star and his daughter— I really think this man is full of tmd...You are so depressed and go diving into the sea)? This tmd is about my old lady! My old lady is going to wither like a fool to watch you diarrhea when you eat and sleep? You go jump into the sea and I will tie the rocks for you, no problem! ——And it's so ugly! There are many directors who like to use long lenses, and a few of them are on my favorite list, but this kind of long lens that doesn’t talk about composition or depth of field regardless of the light and technical content, its only purpose is not to let the audience. Do you feel "tough"?
I understand, the so-called "experimental" refers to the experiment of "how to use the movie sm audience"!

The filming method of this film, using dogleg or deliberately wanting to award the award to Yi, said that "the monotonous lens shows the protagonist's inner world like stagnant water", and from the perspective of a sincere ordinary person, it is " If this is not lazy, it means that the talents who make movies have not graduated from school at all!"
The reason is the same as that of a certain “artist” taking a ball pen and drawing a line in the middle of a piece of white paper. You can explain the meaning of the universe to this line and then give the auction a sky-high price, or you can “hum” without mercy. Step on the past-the former approach does not hurt the title of "artist", the latter approach does not hurt the two words "art"-of course, if you later become a better artist, then People are likely to explain the deeper meaning of the universe to the footprint you stepped on.

I naturally chose to step over Ms. Coppola's face without hesitation.

But you know you don’t have the talent for aesthetic composition, you can’t compose fascinating stories, you know that you can’t write meaningful lines, you know you can’t create a full and true character, and you don’t understand the rhythm of inheritance and transformation. Say, Sister Coppola is an excellent role model, you just follow her, don’t you have no rhythm in the composition, and use a fixed long lens. Woke up, and immediately found this shooting level...), there is no story, can't you think of the characters, find an industry that the general audience is not familiar with, and then go to film Iraq, eat, drink, and sleep. It doesn’t matter if you find that the time is not up to the standard of the feature film. It’s absolutely fine to drag scenes like pole dancing, video games, skating for tens of minutes!
Believe me, as long as you are a normal human with an IQ over 70, you can do the above things.

Of course, how can such a N no movie with no plot, no characters, no lines, no sense of beauty, no social significance, no personal identity, find funding to start shooting How can I get into the theater line to knock money out of the audience’s purse, and let some of them with natural masochistic physique survive these 100 minutes and applaud for this kind of work that anyone can shoot? All kinds of cosmic mysteries (if this tmd is "innovation worth encouraging", should we ordinary audiences still watch movies in the future? Should the underground ancestors who have made "innovations" for editing, narration and composition still rest in peace? ), even go to the big film festival to get one or two awards? This involves an extremely serious and very difficult technical problem-please be sure to reincarnate! You know, as long as you have a good father, you are not afraid of anything! (Please imagine if Miss Coppola is the daughter of Mr. Zhu Yanping, and then shoot this kind of stuff, I'm afraid I won’t even think about turning over forever)
Finally, a friendly reminder: remember that this type of movie is not afraid to shoot more, the more you shoot, the more people praise you for your "art." And the characters need to control the movie, so that not only will it further expose its shortness in front of those who do not buy it, but also lose those who praise you because you only use the long, unmoving camera to shoot the boring film without storyline. The hearts of spectators born with M physique

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Extended Reading

Somewhere quotes

  • Johnny Marco: Hi, Cleo.

    Cleo: Hey.

    [beat]

    Cleo: Why are you taking a bath next door? Is yours broken?

    Johnny Marco: ...yeah.

  • Johnny Marco: What's that book about again?

    Cleo: It's about this girl that's in love with this guy. But he's a vampire, and his whole family's vampires. So she can't really be with him.

    Johnny Marco: Why doesn't she become one too?

    Cleo: doesn't she become one too? Cleo: Because she can't. He doesn't want to turn her into a vampire. And if she gets too close to him, he won't be able to help himself.

    Johnny Marco: Oh, man.