Comparing the two, the "box" is more memorable.
Suffocating love, embarrassing friendship, murder with a knife, laboratory murder... I
haven't seen Stephen King's work. I don't know it, but I was taken aback at a glance. Simple props, cheap plasma, rough picture. The plot is quite interesting, with the absurd two-dimensional comic style, talking about the "ghost ancient", radiating a unique style. Monster cannibalism is a pretense, but in the final analysis, it is still the demon of human beings.
Affectionate
University Professor Henry Weimar is a long-tongue woman. Arrogant, vulgar, and poorly educated. She likes to follow the fashion, exaggerated makeup, fluffy hairstyle, speak loudly to attract the attention of others, like milk mixed with red plum juice. Incompatible with Henry's class.
Weimar may not deserve to die, but the fault was that she was struggling to destroy the dignity of "Little Henry". Yes, Weimar always said, Henry, you are like a child, what would you do without me?
Before being split into the abdomen by the monster, Weimar scolded her husband like this: like the taste of the vulgar exhibition, the money is not much, the head is stupid, can not take care of herself, and can't even work hard in bed. She threatened to take Henry's eggs off to make earrings.
Such a terrible and rude woman loves Henry, and I swear by a woman's instinct. Cursing Jian Meiyu's buried tenderness and bad attitude, but still taking care of the family meticulously. "Little Henry" may just be her nickname for him.
In the evening, Henry's friend Dexter came to play chess at home, Weimar chattered Henry how to organize her housework when she was not at home. When she asked again in a loud voice, "Henry, what do you do without me?", when Henry's docile and seemingly dependent answer was received. Weimar showed a gentle expression, this, maybe I owe you.
At this moment, Henry was imagining how good it would be if Weimar could be strangled to death.
(To be continued)
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