You have to look at the children playing with real guns, the women with the murder weapon pulled out of the skirts, and the kind old men who are full of tattoos. Nothing is more fascinating than this kind of opening, they subvert what we dare not subvert.
Parkour has to run on the blade of life and death, and rock climbing has to climb on the wings of doom. The lens must turn and turn quickly, and it must change quickly. Because the violence is too tempting.
The hit must be a fracture of the bone, in the fragile center of the bone, or at the joint. You can't hit the puff of the abdomen and chest, because the puff of the sound is more attractive.
There must be physical temptation, and the vivid temptation of the previous moment, the chest, the hip, and the waist must be turned into a fatal blow at this moment. Speaking of moments, one must see the unpredictable moments of life and death.
There must be betrayal, and it must come from a seemingly honest camp. The hero must be suffocated to the end as soon as he is suffocated. There is nothing between opening his eyes and closing his eyes, and he can only stare at him.
There must be a conspiracy, it is as broad as the sky. It is so strong, so powerful, so indestructible. It must shamelessly and majesticly peel away the hero's chrysanthemum and ridicule it unscrupulously.
There must be an easy-to-understand turnaround, and the partner of the savior must come on stage. He was as shy as a high school student. But while running on the path of death, he enjoys death as much as life.
All the weak must be humiliated: the little policemen, civil servants, those who go to get off work and leave work. They should be run over by great runners like a mouthful of sputum without even looking at them.
The situation must escalate, the villain must grow, and the crisis must be huge. It is necessary to see the pitiful expressions and eyes of the innocent children and old people affected by it.
Violence must have a sense of legend to give it beauty, and violence must be organized to give it strength. We want to see people with stories and backgrounds appear, and we want to see them gather into groups.
In the end, the excitement of the sleepy beast is worthy of aftertaste. Even though this is a patriotism educational film, even though it is an honor and disgrace educational film, but we are waiting for you-violence.

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