No matter how old-fashioned, I always have to say that it is the feminist movement that causes the expansion of women’s self-understanding that Hollywood produces a large number of women-oriented movies every year; and the deep-rooted emotional tendencies that the feminist movement cannot uproot have made these so-called female centers. All ideological movies are sloppy and wishful thinking. Looking at the 2008 transcripts, each of the new Xiaohuadans has been a vase with due diligence, and they all rushed to play deeply; Hollywood’s Mesozoic romantic comedies and female epics are just like them. Open up, so there is "Another Pauling Girl", "Rachel's Wedding", and "The Duchess".
Online novels and games will inevitably impact the screenplay market. Nowadays, the quality of adaptations of classics is not as reliable as that of comics. On the contrary, with technological advancement, costumes and props have become more refined. On the other hand, it seems that the economic prosperity of the past few years has not passed the psychological projections of people. Most of the films are full of sensuality and sensuality. The pawns and ambitions are flat and straightforward. The suffering, reflection, and excavation are all missing. "It looks like a pustule. So most of them look like embroidered pillows.
Sophia Coppola dug into Antoinette’s old paper piles, pretending to be compassionate, and packaging the generation of demon queens who were full of arrogance and prostitution and had insufficient IQ brains into a chaotic world with ingenuity in pursuit of freedom; now it’s the turn to fame The Duchess of Devonshire, who went hand in hand, lacked the same scheming method, only the complaints and the logical derailment that should be included in the question.
The ignorant girl has a wealthy heart, but she marries a husband like a "white man" and hangs on the dog farm and bed. The wife is only a tool to give birth to a son (in fact, there is no shortage of sons, but the lack of sons of noble origin)-most nobles Women’s marriages are all like this, grief returns to grief, but compared with the three obediences and four virtues of Chinese feudal society, European aristocratic women still have more freedom. Therefore, when I saw the Duke of Devon hit the wild mandarin ducks, I was stunned. In the previous movies, the example of the state officials setting fire to the people to enjoy themselves was too impressed, and I couldn't adapt to this kind of non-Fairplay. The robber logic is gone. So the story of the Duchess being forced to succumb to the political future of raising her children and lover is far less sensational-full of warmth and lust, and the only thing that rice bugs can toss is this little bargaining chip. To be ecstatic or desperately splashing is just a new trick of putting some pepper in the honey.
Cookie-cutter, cookie-cutter, and cliché are all cookie-cutter. Although the young lover became the prime minister inadvertently, and although the hostess of the salon made the limelight, the focus of the movie is still the revengeful derailment of a resentful woman. Although her tough husband didn't bow his head until he died, but the pale and gloomy Ralph Vannes uttered a few reassuring words, and the whole body of the woman who had turned upside down has disappeared. Don't you dare to give up wealth? Or do you want your husband to be merciful? So I said she was just because people all over the UK loved her, but her husband ignored her. At this point, it seems to be the typical frustration and typical path of feudal grieving women. What are you talking about feminism, feminine drama? ——Not even given physical freedom, the people in Europe and the United States have rebounded.
Ralph Fans hasn't seen the old screen for a long time. He is the great love sage in "The English Patient". He came to act as a rude man thinking in the second half of his life. He restrained his eyes, restrained his movements, and failed to show any expression. One inadvertently became empathetic. The guy made it so unspeakable. Why not let him change with Uncle Barna, he goes to do H8, Barna is suitable to play this duke who is always beckoning cats and dogs? Of course, it must be the British accents of Kayla and Vannes that fascinated the director. Otherwise, the big blush and feather makeup fill the skinny Kayla's face, do you think it looks good? Prime Minister Gray, um, and Ann Paulin in Jonathan Meyers' version of Henry 8 are like brothers and sisters, with high skin and black cheekbones-the youngsters have grown like this. What's more convincing?
Maybe I'm still an asceticist. When I watched "Becoming Jane", I felt that the relationship between Anne and James was so sigh that it was not an artificial act driven by desire, but a pursuit of beautiful nature. Depression or sadness is not as simple as frowning and howling, just like love, it is not as simple as desire to break through the skirt.
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