Regarding the transformation of an old man, there is a lack of new ideas, so the director involved the old man in an illegal immigration storm. Interestingly, Walter is also an expert in developing countries, but the international situation is surging forward. He is always stagnant. He likes the new and dislikes the old or the sadness of the spring and the autumn. The seasons always alternate, so we borrow the name of the season to indulge our never specific emotions.
The soundtrack of the film is very symmetrical. The substantively boring life, to the djembe and the quiet passion of the old. When Tarek went into the wrongful prison, he returned to the entanglement and entanglement of the piano. Regardless of the director’s party color, the intention of discussing immigration issues has been roughly manifested. And what is really moving in the film is just a small trade-off. Walter sold the piano, played with African drums on the subway platform with a passion that was disproportionate to his age, and finally the figure was crushed by the Mercedes-Benz train. Or this is it. All "comfort syndrome" people can't imagine the picture.
When a person discards classical music and finds another kind of "drumming", can it be said that he has betrayed his own class? Immigrants are a unique class, they can use pure Handmade bracelets occupy your wrists, or they can break through the windows and occupy your life. In American society, all classes and classes are not so distinct, even if they have inferiority or self-sufficiency in their hearts.
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