"My Memories" movie script
Text/〔Italy〕F. Fellini
Translated by Zhou Yonghong, Gong Chunlei, Chen Yan
School/Yin Ping
The scene is on the outskirts of a small town. Location. daytime. spring.
Dissolve into. Dissolve.
1. Vision. Town house. vegetable garden. The sheets hanging in the sun drifted in the warm breeze. The air was filled with small catkins, and the wind lazily blew these white flocks from east to west.
Scene two Dita's house. Location. daytime. spring.
2. Vision. The camera pans across the courtyard of Dita's house, a two-story villa. Maid Gina, a slutty peasant woman, was drying her summer clothes on a branch. She looked up at the catkins in the air, smiled and pointed to Dita's grandfather who was standing at the door of the house.
Gina: Catkins!
Grandpa: If the catkins came from winter, let's run away.
Scene three streets and squares of small towns. Location. daytime. spring.
3. Vision. White catkins flying all over the sky flew down to the sun-drenched square and the tree-shaded street. A group of children holding the school sign jumped to catch the unpredictable catkins, shouting happily.
Ovo: Catkins floating in the sky, it's gone in winter.
Fatty: I caught the most beautiful one (laughs).
Big nose (sound overlap): Catkin is a spy, it takes away the winter. Look, how beautiful it is.
Giliozzi (voice overlap): Fatty! Shall we go to the beach?
4. Vision. Pull back after the panorama. Look up. In spring, the soft catkins are flying in the blue sky. They flew to the dark walls of the church. In the open space in front of the church, Judizio, the fool of the small town, wearing a ruined army coat mopping the floor, jumped to catch catkins.
5. Medium shot. He opened his palms with a smile, blew, and the catkins flew away. Now, Judizio, with the self-confidence of an ignorant, is ready to introduce the catkins formally and scientifically.
[Fellini's voice: What do you want to say to us? ]
Judizio: The catkins don't match spring in our town... the catkins go round and round, fly east to west.
Scene four small town cemetery. daytime. spring.
6. Vision. Cypress trees by the fence of the cemetery. The catkins also flew here.
[Fellini's voice: How do you feel? Please be clear. ]
Judizio’s voice:...The catkins fly over the cemetery where people are resting...
The railway guards slowly lowered the barriers at the Ping'an crossing. The two farmers pushed their bicycles through the barrier, and the guards absently rebuked them.
Watchman (voice overlap): The eggs you brought yesterday morning were not fresh at all. I will never buy your eggs again...
Scene five beaches. Location. daytime. spring.
Judizio’s voice:... Feifei fly to the beach, to the Germans, so that they don’t feel cold anymore...
7. Vision. White catkins flew to the beach, where the first German tourists were basking in the sun. A man jumped into the water on a run-up.
Scene six hotels. Location. daytime. spring.
8. Vision.
Judizio’s voice:...Ah...Ah...Fly and fly...
The clear outline of the hotel is surrounded by catkins, and the door of the grand hotel is still closed.
Scene Seven Seawall. Location. daytime. spring.
9. Vision. Roaring seawall.
Judizio’s voice:...fly...fly...fly
10.1/2 vision.
Judizio:...Ah...Ah, fly, fly, fly!
On the seawall, there was a man in his sixties with long gray hair spread out under his wide-brimmed hat. He is wearing a furry fur coat. For the people in the small town, he is a lawyer. He is pushing a brand new fully equipped bicycle with one hand, and grabbing the catkins flying around him with the other.
Scene of the main street of eight small towns. Barber Shop. interior. night. spring.
11. Medium and close shots, follow the shots. In the evening, the small hall of the barber shop was filled with a happy atmosphere, and the barber shop was about to close. One of the two barbers was soaping the city secretary and shaving. He was immersed in memories of his childhood.
Barber: ...We have fourteen children in our family! My father was angry when I was born, and he named me Definitivo, meaning the last one.
Municipal Secretary: We have such a big-talker. He won't be angry. Has his beard finished?
Another kind, bearded barber, who has just finished haircutting for a young man in town, is focusing on folding white towels. A friend of the son's brother stood nearby waiting for him.
[Young Master’s friend (voices overlap, yawning): There is a cure, but it’s a bit embarrassing: Ram’s hot urine is used every morning like shampoo! ]
A bald fascist in a black shirt took his raincoat from the hanger and put it on, greeted the people, and walked out the door.
Fascists: Goodbye!
Barber: Goodbye!
Brother brother's friend: See you in the square!
Bearded barber (voice overlap): [Not just grow new hair... (towards that bald fascist)]. goodbye! [You can also grow a new conscience, can't it! ]
Son brother: But if it's for that guy, I need sedatives. That is a beast!
A girl appeared at the door: it was Gladiska's sister.
Gladiska's sister (back view): I'll come to pick up my sister, is it early? (The men in the shop roared with laughter)
Bearded Barber: Ninola, beauty, your sister is here! (To sister) Baby!
Gladyska was wearing a white coat and poked her head from behind the curtains, which divided the barbershop into men and women.
Gladisca: Hey, Fiorella! ...
12. Medium shot. Gladiska was a red-haired, blue-eyed beauty about thirty years old, and everyone in the town knew her. She was full of feminine charm, as well as unmarried women's longing and expectation for Prince Charming. At the same time, Gladiska was immersed in the love story seen in the movie, happily accepting the somewhat presumptuous love from the men in the town.
Gladiska: ...my beauty, it's over. come in!
Gladiska's sister (outside the picture): ...good evening, Olympus! (Roaring laughter)
Gladisca lets customers blow their hair under a helmet-style hair dryer. The younger sister followed Gladiska into the curtain and sat on the small sofa. Her other sister was also wearing a white lab coat, sucking her fingers absently.
Gladiska's sister: Can you come in? This year's Dado is taller than last year, with a height of 1.5 meters.
Gladiska’s little sister: Why did you wear my shoes today?
13. Medium and close shots. The son-in-law stood up from the barber chair, combed his hair again in front of the mirror, and his friend straightened his hair with his hands. The bearded barber finished folding the towels.
Bearded Barber: At the order of the knight!
Brother brother: Are you going to the party tonight? What tune do you play?
Bearded Barber: A piece of my own, now let you listen to it.
He went to the curtain and put down the towel, picked up the clarinet and started blowing. From the seams of the curtains, you can see the back of Gladyska dancing to the music. Brother brother's friends clapped and applauded.
Brother brother's friend: Great, unparalleled in the world!
Brother son: Great, Gladiska!
Gladiska spins, smiling to face her admirer. At last she pulled the curtain, as if she had closed the curtain of the performance.
Scene Nine Town Street. Elbe Square. Location. night. spring.
14. Vision. Follow up. It's dark. A large group of people came from the street, and everyone in the town walked towards Elbe Square. Bischein vigorously rang the bell of the tricycle in the crowd and moved forward.
Bischein: Buy my things! broad bean! Lupin! Stir-fried pumpkin seeds with salt!
The plump, chest-out female owner of the tobacco shop is holding her father. He is a weak person.
Tobacco shop female owner: Dad, now we are going to watch the fire and woodpile, and then I will take you home, because the doctor said you should go to bed early.
The father of the female tobacco shop owner: You tell the doctor that he is a liar, and I only go to sleep when I want to sleep.
Tobacco shop female owner: ... Then if you are sick, I will take you to the hospital and leave you there.
The father of the female owner of the tobacco shop (voice overlaps): ...Long live the Virgin, don't touch me this year!
Bischein (voice overlap): Cherry fruit mint! Carob fruit!
15. Vision. Follow up. Under the neon lights of a closed store. People holding all kinds of furniture in the continuous stream of people: people holding old chairs, old tables, baskets. A man was sitting on a wheelbarrow singing. Some children dragged a big thorn tree. They were Dita's friends.
Giliozzi (laughs): Get out of the way! Step aside! Step aside! Why! Why!
16. Vision. In the square, there was a bustling crowd and a stream of bicycles, and a blind man sang a song to make way for himself. A man pushing a trolley full of broken chairs sang in a low voice. The blind singing man touched the road with a blind stick, and a little boy sitting on the guardrail of the holy baptistery went to grab the blind man's stick and tried to snatch it away. The blind singing man yelled, struggling to retrieve the stick.
Singing blind man: Let me pass! That is my place! You will get retribution.
17. Medium shot. Afterwards, the blind man sat on the guardrail and spit on the ground impolitely and shouted—
Blind man: villain!
The little boy laughed weirdly and smacked his tongue.
18. Vision. Two boys holding branches of thorns ran to the square.
Boy (holding the thorn tree): Let me pass! Ler me get through! Step aside!
The other boys set off for fun. Fatty, Dita’s friend, yelled happily before firing the cannon—
Fatty: Listen to this!
19. Vision. Dita's family: father, mother, youngest brother Oliva, maid Gina. Father chatted with two people around him.
Dita's father (voice overlap): ...a father can raise a hundred sons, but a hundred sons cannot raise a father. This is the truth. Every family has its customs. Every country has its center.
The maid is sending a suitor whom we can't see.
Gina (voice overlap): No, look, I have never seen you before, sorry...
Oliwa wanted to chase the child who set off the gun, but his mother tried to catch him and refused to let him go.
Oliva: Mom, he fired a four-shot cannon! Mom, the fat man put a six ring!
Dita's mother: Yes, yes.
Oliva: Let me put one too!
Dita's mother: You, you can't put any of them, you!
20. Vision. There is a large stack of firewood in the center of the square, and everyone looks around it.
21. Close shot. On the top of the firewood stack, Judizio sorted out old furniture, baskets and bundles of firewood that people had thrown up. The fanatical protagonist waved his arms and yelled in excitement.
Judizio: Hey! I can command everything! Long live Judizio!
22. Medium shot. Folks, the crowd came cheering.
23. Close-up. Not far away, the little lonely raccoon leaned against the wall. She was wearing a shabby, skinny green dress with blond hair and a dull face. She was looking around greedily, like a stray cat. Outside the square, a man was teasing her, and the little fox bit his lip lightly, smiling stubbornly and greedily on his face.
Man (outside the picture): Little fox, did you have sex today?
Little Fox (vaguely): No!
Man (outside the picture): Why not? Come on, how many times have you been outside?
24. Vision. Some people fired cannons on the walls: the cannon exploded quickly after being ignited.
The little fox leaned against the wall and looked at the questioner. We could only see the man leaning on one arm of the car.
Man (outside the painting, dialect): Little fox, did you put the bird in the coffee milk?
25. Vision. There are a bunch of people under the arcade. There are households, merchants and farmers.
Accompanied by his sisters, Gladiska came to the square in a coat and a red Basque hat. A friend of Tita's, people call him a big nose because his nose is very prominent on the small head. He turned around to tell his companions that she was coming, and then left by himself.
Big nose: She is there!
Under the arcade, the barman is choosing ties sold by the Chinese. Gladiska walked by, he bent over to salute and said politely--
Waiter: ...Gladyska, you fascinate me! Greta Garbo will avoid you!
The girl turned around and glanced at him, smiling and mocking--
Gladiska: What are you talking about?
Medium shot. Follow up. Then she walked proudly into the square. She stopped to look at the huge magical wooden pile.
Gladiska: Let's go forward!
26. Vision. Big Nose jumped to the stone steps under the arcade and raised the firecrackers. The firecrackers made a loud noise.
27. Medium shot. The sound made Sister Gladiska yelled and jumped up, and turned to protest to Big Nose.
Gladyska's sister: You will be punished!
28. Vision. A man walked down the steps of the arcade. He stopped and greeted Gladiska with an exaggerated gesture, smiling and showing his teeth. He is the owner of Fugao Cinema. He wears a raincoat and has a beard, much like American film actor Ronald Coleman.
29. Vision. A blond boy wearing a Basque hat, wearing a coat and bloomers approached the wooden pile, with a chair on his head, and he handed it to Judizio. He is Tita.
Dita: Take it! Burn this too! put it on top! then!
Tita's father, a stout man, came to his son.
30. Medium shot.
Dita's father: ...you put my old bones on it too! (He grabs the collar of his son's neck, drags his son out of the chair, and screams angrily) The black-hearted thing, I asked you to eat the chair and let me go home.
Dita (voice overlap): But, Dad, it's broken!
31. Vision. A weird old woman-like cloth doll swayed up and down in front of the crowd under the arcade, and people praised, smiled and screamed. The town’s band played lively, advancing or retreating in the rhythm of the music.
32. Vision. The crowd surrounded the woodpile. The children set off their cannons. Another friend of Tita, nicknamed Count Portavo, dressed in a tweed coat and gray top hat, squeezed out the cigarette in his hand and walked towards the band.
Count Portavo: Old lady!
33. Medium shot. The huge cloth doll, the old woman, represents the departed winter and was transported to the square: the cloth doll flies up and down the crowd in front of the low-rise windows of the building. She is like a monster without expression.
Low panorama. Follow up. A musician is serious and solemn like a funeral clown, jumping among the dancing crowd around the cloth doll. There was a tumultuous and noisy crowd all around.
Musician: The old woman is there. Before I burn it, I want to marry it!
34. Vision. Tita was wearing her hat crookedly and looking straight at Gladiska, the people around them noisily surrounding them.
Gladiska's sister (outside the picture): What are you looking at there, little thing!
Dita: No, I didn't watch anything!
A friend walked around behind him, patted him on the head, and ran away.
Dita: What are you doing!
Tita chased for a few steps and then backed away, looking at the beautiful female hairdresser in fascination.
35. Medium shot. Gladiska hid behind the newsstand and picked up socks, her sister supported her. The bearded barber in the band, bending over at Gladis Kamei, smiling and playing the clarinet. The sisters forced him away half-jokingly.
Gladiska: Don't watch it! Get out! Otherwise, you will feel better!
Gladiska's sister (voice overlap): What do you want to do? Get out!
Follow up. After finishing the socks, Gladyscala returned to the crowd with his sisters solemnly. Behind them, the band was playing deafeningly, and they had to cover their ears with their hands.
36. Vision. Another wooden pile was transported to the square and placed beside the wooden pile amidst the cheers of people. The big nose whistled at his companion, loudly demanding—
Big nose (whistle): Cannon! Shoot it!
37. Medium shot. Among the crowd around the wooden pile is Dita's uncle, nicknamed Gang Beng'er. He is a rascal, cold and pale. Gang Beng'er and his wandering friends are the most indulgent. They screamed, laughed, waved and clapped and sang to the music.
Gang Beng'er's friend: Let's burn the wood pile! Let's burn the old woman!
Gang Beng'er: Let's burn the wood pile! Burned! Let's burn...
38. Vision. Gang Beng'er tripped a musician who was walking around the wooden pile, and the people around laughed.
Musician: Fuck you, bastard! ...The old woman is there, before I burn it, I want to marry it!
Everyone applauded.
39. Vision. The cloth doll was lifted on top of the wooden pile, and Judizio stretched out his arms to reach it.
40. (American view) close-up. Gang Beng'er pointed upwards at Judizio, and he and his companions began to throw oranges, apples and various fruits at Judizio. Gang Beng'er smiled. Everyone applauded.
41. Vision. Judizio hugged the cloth doll and staggered to dodge objects thrown from all directions. Finally, finally put the bulky cloth doll on the wooden pile in a chair stacked on a table.
Gang Beng'er and friends (outside the picture): We burned the wood pile! We burned the old lady! We burned the wood pile! We burned the old lady!
42. Vision. Under the wooden pile, musicians like funeral clowns raised torches and yelled farewell to the cloth dolls exaggeratedly.
Musician: Old stuff! With this fire, you can take away the winter and ice and snow! (Then turn around and pass the torch to Gladiska) Here you are, spring is here!
43. Medium shot. Gladiska smiled, but she didn't know what to do.
Gladiska: But I don't have candles!
The barman immediately lit a match and handed it to the big beauty.
Waiter: But you have love, my beauty, use it!
Gladiska took the match and approached the petrol-dipped torch, which ignited immediately.
44. Vision. The musician who had been dancing drunkly turned back under the wooden pile, holding the torch to click here and there, and immediately, tongues of fire sprang up around the wooden pile.
Judizio (outside the picture): Let's burn the cloth dolls! Long live Judizio!
45. Vision. The excited crowd finally calmed down amidst a loud noise. The woodpile continued to erupt with a loud noise. There was a slow smoke, and the piles of wood crackled. Gang Beng'er came up with an idea. He was on his toes and looked funny, and left his gang to climb the ladder of piles of wood.
Judizio (outside the painting): I can command everything! I can command everything! I can command everything! Where is the ladder?
46. Vision. Smoke shrouded the top of the wood pile. Judizio swayed yelling for a ladder, on the one hand to make a funny gesture, on the other hand he did feel dangerous.
Judizio: Ladder!
Gang Beng'er (outside the picture): Judizio, do you want a ladder?
47. (American view) close-up. Gang Beng'er teased him: pretending to hand him the ladder, he pulled it back when he was almost reaching it.
Gangbenger: Do you want a ladder? ...You hold it!
Judizio: Give me the ladder!
48. Vision. Judizio screamed increasingly anxiously, reaching for the ladder.
Judizio: Give me the ladder!
Gang Beng'er (outside the picture): Oh-oh!
49. Medium and close shots. Gang Beng'er laughed and repeated his prank two or three times in the crowd.
Gang Beng'er (laugh): Aren't you coming down! You will burn to death on it! Take it!
Judizio (outside the picture): Ah, look, it burned me! Give me the ladder! ...(In the picture) Give me a ladder! Give me the ladder!
Gang Beng'er (outside the picture): Oh-oh!
50. Vision. Finally, Judizio disappeared on the other side of the burnt wooden pile.
51. Medium shot. Ronald Coleman and Bischein were in the first row of the crowd. Bischein was recognized as a liar in the town. Bischein, dressed in rags, with a dish on his face, smiled, and talked to people about his special experiences, things that people had never heard of.
Bischein: In the United States, I saw a wooden stack that was 106 meters high...high.
Fu Gao Cinema owner: When have you been to the United States?
Bischein: I am an American... the son of a man!
52. Vision. In the red light of smoke and flames, onlookers clapped and shouted. A terrible explosion started the crowd. An ugly woman, bluffing and waving her handbag, chased after the big nose of the blaster.
Woman: I want to break your leg!
Big nose: Then you can hear what you love (laughs)!
Medium shot. The municipal secretary walked over and sat in front of the fire, his healthy and proud face was reddened by the fire. He clapped his hands and yelled--
Municipal Secretary: Long live San Giuseppe! Long live spring!
53. Vision. The flames blazed high on both sides of the wood pile.
54. Medium shot. The Gladyska sisters stared at the burning flames.
Gladiska’s sister: This impressed me too much, how about you?
Gladiska: Yeah, me too! Winter is over, you know, spring is here. I feel the breath of spring!
55. Medium shot. The cloth doll has been burned by the fire, and the amazing crackling sound is still in the ears.
56. Vision. The fire in the center of the square became more and more prosperous, and the crowd of onlookers formed a circle. Amid the crackling and shouting and laughter, the children hurriedly ran around firing off cannons, lest they could not fire enough.
57.1/2 Vision. Standing in front of a window was the head of the high school, Zus, with his arms folded motionless on his chest. The female teacher who teaches math watched intently and slowly smoked.
58. Vision. By the fire. The children hurried anxiously.
59. Vision. In front of the other window, the town’s secretary Giralka raised a revolver and shot into the sky, the sound of gunfire intertwined with the sound of cannons in the square.
60. Close shot. Giralka was accompanied by two beautiful girls. The two beauties are happy to show off their charms.
Girl (caught her ears and shouted): No! No!
61. Vision. Around the fire in the center of the square, a group of black shadows against the flames circled and sang.
61. Medium shot. On the top of the fire, a huge tongue of fire was crackling and eating up the sleeves of the cloth doll.
Scene ten The courtyard of the Rovigno building. Location. night. spring.
63. Medium shot. In the distance, the noise of festivals. The fire glowed red on the face of the count Rottignano and the old nun, the count's sister, the count closed his eyes and holding the wine glass, the old nun stared at her uncontrollable trembling arms.
64. Vision. A small wooden pile was burned in the earl's courtyard. The earl, the old nun, and the earl's daughter were sitting around the fire.
65. Medium and close shots. The servants stood by the fire, holding their glasses to the master--
Servant: Bless you, Mr. Earl! Bless your sister of the earl! Bless you Countess!
66. (American view) close-up. The earl raised his glass in response and took a sip, and the earl's sister slowly raised the glass to his mouth.
Earl: Thank you! (Then turn to her daughter, softly) You also have a sip! It's good for you! Look, didn't Auntie drink it too?
The countess was indifferent to her father's advice, and continued to smoke slowly.
Scene eleven Elbe Plaza Avenue. Location. night. spring.
67. Vision. The square has been darkened. A group of boys surrounded the little fox, grabbed her arm, twisted her leg, the little fox yelled, twisted and struggled.
Little Fox: No! No!
68. Vision. The fat man and the big nose caught up with the boys dragging the little fox. The boys pretended to throw the little fox into the fire. The fire was almost exhausted and turned into a pile of charcoal.
Fatty: Little fox! Little Fox!
Boys (screaming): Oh! Oh!
69. Close-up. The little fox continued to twist and struggle. She smiled and groaned, as if playing on a swing.
Little Fox: Put me down! No! No!
70. Vision. The blind man sitting on the railing of the car swung on the accordion.
71. Vision. Although the party was over, people still stayed in the square unwilling to leave, and a drunk man walked staggeringly in the dark. Big Nose is about to release a very loud cannon.
72. Close shot. He motioned the people around to step back.
Gang Beng'er: ...back!
73. Vision. A friend of Gang Beng'er shoved the fat man from behind.
Gang Beng'er's friend: I'll deflate you! I let the anger come out of your ears (laughs)!
Gang Beng'er on the other side of the square ran and jumped over the fire, rubbing the charcoal that was about to go out with her trouser legs, winning everyone's applause and praise.
Gangbeng'er's friend: What a good Lalo! You are nothing like a sixty year old (laughs)! Now we are going to jump one by one, well, hold hands and jump!
74. Medium shot. Dita's father shook his head and said to his wife--
Dita's father: What the hell! Your brother is such a fool!
Dita’s mother sat in a chair, looking excitedly at the brother’s rebellion--
Dita's mother: Oh! Is he a young man!
75. Vision. Suddenly, Gang Beng'er and her friend are about to dance the Tarantella. Gang Benger sang "Oh, Fatty" with friends. In the distance, other young people jumped onto the fire. Among them are fat guys.
Fatty: Now dance the Tiger Dance in Malaysia.
76. Vision. After a flash, there was a loud noise. After the smoke passed Olivar's face, he jumped with one foot, and he finally set off the loudest cannon. But lost a shoe in panic.
Count Portavo: Oriva, you can put another one on the roof!
77. Vision. The mother grabbed Oriva viciously, and the maid followed them.
Dita's mother: I'll settle accounts with you when I go home!
Bischein: Come and buy Bischein's things! Go home...home! Close...Closed!
Dita's father: Where's the shoes...you guy!
Gina: The heel is gone, madam! You see this shoe is broken like this!
Then Dita's mother got up from the chair and walked with them towards the street.
Dita's mother: This year, you will wear a shoe! Go home! You wait to get beaten!
Dita's father looked around looking for Dita--
Dita's father: What about that troublemaker? Where did you go?
78. Vision. Tita quietly walked to the boy sitting on the ground by the smoking fire.
Dita (back view): Fatty, throw the cannon into the fire!
Dita was about to jump when he saw his father suddenly, he was taken aback, stood up and ran away.
Dita's father (back view): What are you doing there? Go to sleep!
Dita: Dad, what did I do?
He took another half circle around the square, and then chased his father in the direction of the street.
Dita's father: I will send you to the correctional facility!
79. Vision. The panorama moves back. With a burst of noise, the strong man Skuresa rushed into the square on his motorcycle rumblingly. He was wearing a weird leather jacket, a helmet, and big glasses.
80. Vision. The panorama moves to the left. Amidst the whistles, shouts, and applause of the villagers, Skuressa circled the woodpile.
81. Vision. The lens moves to the left. Skuresa turned around like a mad dog.
Big nose: Skuresa is here! Here comes the hunk Treasury!
82. Vision. The lens moves to the left. He drove at full power again and passed the burning fire like lightning, raising a cloud of gray mist with sparks in it.
Big nose: Nice Skuresa, great! marvelous!
Scureza was chased by Judizio and disappeared from the street.
Judizio: Scureza, the strong man Scureza! Fuck you! asshole!
Scene twelve Elbe Avenue Plaza. Location. night. spring.
83. Vision. Late at night. The square is empty. The neon lights of a shop under the arcade gleamed faintly. Two women are using spatulas and buckets to load away the ashes of the burnt large wood pile.
84. Vision. A lawyer pushing a bicycle came from the end of the street. He stopped and thought for a while, and began to speak in a confident and contented tone, as if facing many listeners——
Lawyer (clears throat): The origin of this small town is lost in the dark night of the times. There are some stone tools in the small town museum, on the main square...
The lawyer was interrupted. Two women walked slowly across the square and nodded to the lawyer——
Women: Bless you! Salute to you!
85. Medium shot. The lawyer smiled and nodded in return, then went on to say--
Lawyer: ...These go back to prehistoric times. Later, in the cellar of the Count of Rovignano, I found many extremely old carvings on the wall. To be precise, it was in 268 BC, when it was a Roman colony. District, is the starting point of Emilia Avenue...
At this time, a strange voice sounded in the square--
Man's voice: Lawyer! ...
The lawyer stopped talking and turned his face to look at the voice.
86. Vision. The lawyer's figure on the empty street was motionless, and the voice rang again (smacking tongue). The lawyer turned to us, ignored the sound of the prank, and continued--
87. Medium shot.
Lawyer: ...This is also one of the characteristics of this nation that loves teasing people and ridicule. The blood of the Romans and Celts flows in its veins. It has a lively, cheerful, generous, sincere and enthusiastic, resolute and tenacious character. From the poet Dante to Pascoli (note 1) and Dunnanzio (note 2), many great poets and scholars have praised the outstanding sons and daughters of this land, as well as their art, science, religion and politics. Countless respectable...
Another strange noise (slaps) interrupted the lawyer, and he looked back for the person who insulted him. This time he was really irritated—
Lawyer: Who are you?
88. Vision. The back of the lawyer in the empty square, he looked around, looking for the mysterious disruptor——
Lawyer: You are so humorous! You have no courage to stand up!
There was another grotesque sound.
89. Medium shot. The lawyer took off his hat, stood in the dark and said challengingly--
Lawyer: Come out and let people have a look! I am ready to answer any questions you have face to face!
There was another strange sound of smacking. The lawyer paled with anger. He looked around, raised his head to say something, then gave it up. He put on his hat and turned the bicycle around.
Vision. The lawyer walked on the street.
Man's voice: Lawyer!
The lawyer never looked back and made a gesture as if to say that it is easy to hit someone from behind.
Lawyer: Oh! ……Yes Yes! well!
Dissolve, dissolve in.
Scene 13 The courtyard of the school. Location. daytime. spring. Dissolve into.
90. Vision. Medium and close shot. The preparatory fourth-year high school students rushed down the stairs yelling and whistling. The principal stopped the children from screaming loudly in the hallway--
Principal (outside the picture): Gentlemen!
91. Medium shot. In the middle of the school’s medieval courtyard, the red-bearded principal Zus looked at the children seriously, and then said in a deep and concise tone--
Principal: Alright? ! ...
The teachers around him waited while talking.
92. Vision. Move back. Quietly and orderly. Among the children, there are Tita and his friends we know, who walked through the courtyard to the stools and prepared to take photos. The black cloth covered the camera on a tripod. The photographer poked his head from under the black cloth covering the camera.
93. Vision. The principal raised his hand and invited the teachers to take their seats.
Principal: We all pose and sit down, okay?
Female teacher who teaches fine arts: If you, Mr. Principal, have to do this, I have to do it! Oh, my photos are always bad.
Male Greek teacher (voice overlap): Of course... (to female math teacher, French) First please, madam, first please...
The lens moves to the left. The teachers talked and laughed and came to the students who had been standing in three rows. The female art teacher and the male Italian teacher stand on the right, the female math teacher and the male Greek teacher stand on the left, and the principal and the male religious teacher Don Barossa stand in the middle.
Principal: The students in the last row are standing on the stools!
Following the principal's command, the students in the last row stood up!
Female mathematics teacher (voice overlap): Let's stand here... Oh, what smell, do you smell it?
Male Greek teacher: This is the smell of my hair after finishing.
Female math teacher: Ah, I see, it smells like musk. Actually...
Male Greek teacher: Yes, it has a very refreshing taste, quite suitable...
Everything is ready now. You can take pictures. Big Nose stood behind the principal and made a meow--
Big nose: Meow!
The headmaster quickly turned around and hit Count Portavo on the head, who lowered his head to avoid.
Principal: Albany DeSantis! ?
Count Portavo: Mr. Principal, it's not me at all!
Big nose snickers. The male teacher of Greek moved closer to the female teacher of mathematics and took a pose.
Male Greek teacher: I'm right here!
94. Medium shot. The fat man stood between two friends, touching the back of his head, blushing and whispering—
Fatty: Adina!
95. Medium shot. Adina sits among the girls in the first row. She has a quiet and sweet face, and her black hair is tied behind her head. I don't know if she didn't hear it or pretended not to hear it. The fat big-eyed girl next to her whispered in her ear to tell her that the fat man was calling her. Adina raised her face, glanced at the fat man contemptuously, and then turned around impatiently.
96. Vision. There were two boys in a window upstairs, looking down at what was happening in the courtyard.
97. Medium shot. Adina smiled shyly at the window, affectionately.
98. Medium shot. One of the two boys, with a big scarf around his neck, nodded gently to Adina in answer.
99. Medium shot. The fat man saw everything and bowed his head in disappointment and sadness.
100. Vision. The photographer, a thin man with glasses, took a breath into the lens; a burst of harsh smoke came out. The students laughed. The photographer coughed.
101. Close-up. Following the cry of a male classmate, a girl with freckles, white face and prominent eyes turned her head and looked back.
Giliozzi (outside the painting): Peralia, look how much you look like this!
The male student took a live frog to Peralia in his hand.
102. Medium shot. The girl stood up screaming in fright. The female math teacher and the male Greek teacher who were whispering turned around in shock.
Female mathematics teacher: What happened?
Male Greek teacher: Giliozzi!
Jiliozzi's friend: Put this in her neck.
The teachers looked at Giliozzi seriously. He is a repeater and a farmer. His face is a bit like a Mongolian, with harder lines. He has hidden the frog, pretending to be okay, and the female math teacher sighs in disappointment.
Male Greek teacher: Go back to your seat and sit down!
Peralia sat back in her seat.
103. Medium and close shots. The photographer bent forward and took the shutter to take the picture.
Photographer: Get ready!
104. Medium shot. In the team, Don Barossa put his hands on his head.
Photographer (outside the painting): Don't move, please! do not move! ...
105. Vision. The students and teachers smiled motionlessly, and everyone looked at the camera.
Photographer: (Outside the painting) Good! that's all! Take it!
Scene fourteen preparatory fourth grade classroom. interior. daytime. spring.
106. Vision. On the wall are pictures of Victoria Emmanuele III, the Pope, and Mussolini. The pope is in the middle and slightly higher.
Natural common sense male teacher (outside the picture): What is this?
107. Vision. A gloomy light shot through the window. A male teacher of natural knowledge stands in front of the podium. He held a rope tied with a stone in one hand and put one hand in his trouser pocket. The students (back view) look at the teacher.
Student (back view): This is a stone!
Natural knowledge male teacher: Yes, then, what is it for?
Ovo (outside the picture): I know!
108. Medium shot. There are students sitting in front of the desks, all of which we have seen in the yard. The students in the first row are all sitting there. Dita's friend Ovo stood up.
Ovo: A slingshot!
Teacher of Natural Knowledge (outside the picture): No, sir!
The fat man raised his hand and said seriously--
Fatty: A big ball.
The students laughed.
109. Medium shot. The teacher was very angry and explained with a serious expression. He has a heavy southern accent, which is difficult to understand. He looked melancholy, almost expressionless, and his glasses were as thick as the bottom of a bottle.
Teacher of Natural Knowledge: Tell you, this is a pendulum.
110. Vision. The students echoed the teacher.
Teacher of Natural Knowledge (outside the picture): Obviously it is the simplest pendulum. Look, isn't it? Let you have a concept, is it clear?
111. Vision. Look at the back of teachers and students from the outside of the classroom, the blackboard in front of the podium, and the map on the right wall of the classroom. A large net hanging faintly can be seen under the ceiling, and the middle of the net is hanging down.
Teacher: ...As it swings from side to side, the rhythm of time is clearly visible. You have seen it many times, and there are also pendulum clocks in your house. understand? How does the pendulum swing? Tick...
The teacher began to shake the pendulum. The students shook their heads left and right while repeating their mouths...
Student: Tick...tick...tick
112. Medium shot. The teacher smiled with satisfaction, his whole body swaying like a pendulum.
Teachers of natural knowledge: tick, tick, tick.
113. Vision. The students were tired of swinging games and began to sway greatly from side to side, falling one on top of the other or colliding with each other.
Student: Tick, tick.
Teacher (outside the picture): Tick, tick.
114.1/2 Vision. The fat man was motionless among his classmates and made an ugly posture.
Teacher: (outside the picture) tick, tick.
Students: Tick, tick.
Scene 15 preparatory fourth grade classroom. interior. daytime. spring.
115. Medium shot. The history teacher sits behind the podium, his face is thin, expressionless, and his eyes are clear. He was smoking intently, staring at the cigarette in his hand. He took a puff and took the cigarette from his mouth, cautiously afraid that the ashes would fall.
History teacher: Where did Diberio retreat from? When did you step down?
116. Close-up. Dita dropped a pinch of blond hair in front of her forehead, standing in front of the podium and quickly answering--
Dita: In Capri, yes.
117. Medium shot. The teacher glanced at the cigarette again, and changed it to the other hand, carefully for fear that the ashes would fall. He took a pencil, recorded a score, and asked--
Teacher: When was Agripina killed?
Dita (outside the painting): 69 years. Why are you giving me points? Isn't it 69 years?
The teacher threw the pencil on the score book, put the cigarette in the other hand, leaned back on the chair and watched Tita kindly corrected--
History teacher: It's 59 years.
He took another deep breath of pain.
118. Medium shot. Tita insisted--
Dita: Can you be sure that it is not 69 years?
History teacher (outside the painting): How could it be? It's 59 years.
Tita covered her eyes with one hand in disappointment, and then he punched the podium again.
Dita: Raised by a bitch...
119. Tita (outside the picture): ...I knew it!
The teacher's soot fell. He wiped the ashes irritably, and roared in Napoli dialect—
Teacher: You made me crazy! Go back to your seat!
Dita pouted frustratedly.
Dita (outside the painting, the voice overlaps): Why? What's wrong with me? Why can't it be 69 years?
Scene 16 preparatory fourth grade classroom. interior. daytime. spring.
120. Medium shot. Suddenly, a flash of lightning flashed across the dim classroom, and there was a muffled summer thunder outside. Fatty and Tita were lying on the table like sleeping. Kirio grabbed a fly. The sound of the storm is intertwined with the drowsy, monotonous voice of the Italian teacher reading the text aloud.
Italian teacher (outside the picture): Daylight is coming, just when daylight comes again.
121. Vision. The Italian teacher was sitting at the desk, blushing, with a pair of big glasses pushed on his forehead. He spouted and excitedly spoke boring things to the drowsy students.
Italian teacher (in the painting, read the text):... "The rising Italians will bravely take up their weapons to defend their homeland, and inflict heavy damage on the flanks of the Gauls..."
Scene Seventeen preparatory fourth grade classroom. interior. daytime. spring
122. Medium shot. The philosophy teacher is wearing a black coat, a black top hat, and a pair of delicate glasses, with a sad and hysterical expression. The voice went up and down between the desks, dancing and talking about philosophical concepts, like a crazy puppet.
Philosophy teacher: The whole is embodied in the country as a spirit, and will not become real in the church...
The lens moves to the left. Vision.
Suddenly, he wanted to make a big argument and walked towards a wall. When he reached the wall, he bowed his head and almost hid behind the closet.
Philosophy teacher:...The reconciliation between the state and the church will be through the individual creator of the world, hey, yes, we must arrange the order between the members of the state and the church, and we must just solicit...
123. Vision. The students leaned outside the desk and watched the teacher's weird performance.
Philosophy teacher (outside the painting):...an iron discipline and the right to intervene in all areas of personal life...
124. Vision. The lens moves to the left. The teacher returned to the podium from the back of the classroom, and the students turned around as the teacher walked around.
Philosophy teacher: ... Freedom is not equality, but rank privileges.
He continued speaking without pausing, and made a small gesture to Ovo who was being punished standing in the fireplace.
Philosophy teacher: Turn around, you... Therefore, in the spirit of secular and religious there is a guild cooperation that consolidates employers and laborers with a high degree of consistency... (He stopped at the first row of desks to emphasize his The discussion patted the table).
125. Medium shot.
Philosophy teacher (outside the painting): ... thus achieving the greatness of our country! My watch stopped. what time is it now?
The fat man stood up solemnly, lifted his pullover to reveal his white and fat belly, patted his chest in a very righteous manner, and sat down again.
Scene Eighteenth preparatory fourth grade classroom. interior. daytime. spring.
126. Medium shot. Religious studies teacher Don Barossa took off his glasses and wiped them with a handkerchief. He is teaching the mystery of the Trinity. His voice is bored and coping. He is more concerned about the glasses he is wiping, rather than the miracles in theology he is explaining. His face was sickly full of grease, and he shook his head quickly from time to time.
Don Barossa: He is an outstanding son of God, so he has the same power as our lord... The Holy Spirit and the Father are regarded as the same level...
127. Vision. A group of students at the back of the classroom were sneaking out on their toes.
Don Barossa (outside the painting): ...and the Son, are you clear?
128. Medium shot. Don Barossa did not notice the behavior of the students, so he wiped his glasses and lectured——
Don Barossa: This is why God is a Trinity.
Scene Nineteenth preparatory fourth grade classroom. interior. daytime. spring.
129.1/2 hoof. After pouring a cup of coffee from the kettle, the female art teacher straightened up behind the desk. She put the small metal cup on the desk, and then bent down to put the warm pot. At the same time, he announced slowly and excitedly--
Art teacher: Tell you about the great Giotto today!
The students booed.
Ovo: It's a shot!
130. Vision. The big nose scribbled on the face of the Count Portavo, who was held immobile by the two classmates, and then returned to his seat. The earl wanted to clean his painted face, and punched his big nose in return.
Big nose: watch out!
Art teacher (outside the painting): Do you know? Dear children, why does Giotto have an extremely important place in Italian painting?
131. Medium shot. The art teacher is a thin, elegant old woman, with a smile on her face. She held a small cup in one hand and a cookie in the other, answering the question she had just asked.
Art teacher: Let me tell you! Because he invented perspective painting!
I don’t know if it’s to emphasize the perspective painting or to teach the children, the teacher repeated the words “perspective painting” and dangling the hand holding the biscuit. When she said the last word, she dipped the biscuit with coffee. Put it in your mouth.
Art teacher: See through, paint, and method!
132. Vision. Tita asked to speak, he stood up with his nose covered, pointed to a classmate and said--
Dita: Teacher, can I go out? ...Baobu let out a stinky fart.
133. Medium shot. The teacher held a biscuit in one hand and a cup in the other, but didn't understand.
Art teacher: What did you say?
134. Vision. The students laughed. Dita sat down and fanned the wind vigorously with her notebook, and the joking student stood up to protest—
Baobu (back view): You are crazy! nonsense! I didn't fart at all! ...
A classmate with thin hair standing behind him nodded in confirmation.
Classmate: It's you, it's you!
Baobu (turning back to retort): It's not me...I don't have...
Scene Twenty preparatory fourth grade classroom. interior. daytime. spring.
135. Medium shot. Headmaster Zus stood behind the podium. His voice was loud and slowly, threatening, and every word was sonorous and powerful. He looked at the children one by one distrustfully.
Principal: Be quiet! ……(Knock with the pointer)……
Big nose: Meow!
Suddenly, the principal was furious--
Principal: Jiliozzi! go out!
Scene 21 Preparatory fourth grade classroom. interior. daytime. spring.
136. Medium and close shots. The math teacher stood in front of the blackboard and passed the chalk in his hand to a student for him to solve the problem. The student called was tall, baby-faced, wearing glasses, and nicknamed Candle.
Teacher: Come on, it's not difficult, let's start.
The teacher put his hands on his hips and turned to look at the children.
137. Panorama. Medium shot. The female teacher came to the podium, stopped in front of the podium, and waited. She is a tall woman with a serious face, a pure wool shirt wrapped tightly around her high chest, and a suit is covered. A model with a big ear was placed on the desk. The candle took a step towards the blackboard, holding up the chalk as if confidently, and preparing to write, but immediately stopped. He turned around and asked his classmates for help.
Mathematics teacher (outside the picture): Why stop? Isn't it done well? What's wrong?
138.1/2 Vision. Count Portavo made a gesture to tell him. He seemed to understand something.
139. Medium shot. The teacher stood on the podium leaning against the podium, tapping the podium from time to time.
140. Medium shot. A boy sitting next to the Count of Portavo, with a thin short mustache on his mouth. He holds a rolled map in his hand. Passed it to Giliozzi in front from behind.
Student: Pass it on!
Teacher (outside the picture): Think about it: 9X plus the square root of 3K...
141. Medium shot. Giliozzi passed the map out again under the desk. The map scroll is obviously longer.
Teacher:...This is very clear...
142. Vision. The teacher waited impatiently, folded his hands on his chest, shook his head and walked to the blackboard sarcastically--
Teacher (back view): Really stupid! What did you do?
The teacher roughly pushed away the "candle", picked up the chalk, and worked on the blackboard.
143. Medium shot. Giliozzi was motionless, his eyes closed, his expression on his face was happy, he was carefully peeing into the map scroll between his legs...
Low-angle lens, shifted to the left. The map scroll stretched from the back through the desk to the teacher’s legs, and urine slowly flowed from the map scroll to the ground...
Teacher (outside the painting): Look at you, what have you written? Are you still literate? Read this again.
Candle (outside the picture): But I...
Teacher (outside the picture): You still better shut up? 9X plus the square root of K... You see, I am also confused, 9X plus the square root of 3K...
144. Medium shot. Cordini and the thin girl sitting in the first row silently glanced at each other, and then both looked to the ground.
145. Medium shot. Giliozzi opened his eyes and happily let out a sigh of relief to the neighbor: He has finished urinating.
146. Medium shot. The lens moves back. Moustache knelt on the ground and quickly collected the map roll. Giliozzi quickly threw it onto the cabinet, then returned to his seat and bowed his head to pretend to write.
Teacher (outside the picture): Okay, so X1=140, X2...
147. Medium shot. The teacher finished the calculation at the blackboard.
Teacher (outside the picture):......=3/5, understand?
Candle: I see...
The teacher looked back at the candle, at the ground, at the candle again without understanding, at the ground again, and she took a step back, she couldn’t believe it—
Teacher: What are you doing?
Students (outside the painting): What's wrong? What's the matter?
148. Medium shot. Candle looked at the teacher foolishly.
Teacher (outside the picture): Hey, I said, are you crazy? handy-man! handy-man!
In the voice of the female teacher, the candle ran towards the door, and then came back to look at the ground, the classmates, and the female teacher. Her expression has always been silly.
Scene 22 Preparatory fourth grade classroom. interior. daytime. spring.
149. Medium shot. The Greek teacher, named Fejetta, is reading a poem by Alkiloko. He leaned weakly on the back of the chair behind the lecture table, closed his eyes slightly, and looked intoxicated. With his back to his classmates, Ovo stood motionless by the podium.
Fei Jie Shikou: (Greek) Epta necron gar pesonton us emarpszamen posin keilioi eimen fonees……
150. Medium shot. Ovo is very serious about allowing the teacher to express his feelings. His face was chubby and his eyes were big, showing a look of purity, surprise, and rascals.
Teacher: Greek is very good, isn't it?
151. Medium shot.
Ovo: It's wonderful!
Teacher: Like music!
Ovo: Yes!
The teacher picked out the difficult sounds and asked Ovo to repeat them.
Teacher: EMARPSZAMEN!
152. Medium shot.
Teacher (outside the picture): Follow along!
Ovo repeated with the teacher-
Owo, teacher: E—MAR—PSZA……
When he read this, Ovo let out a slap.
153. Vision. The classmates are laughing at him.
Teacher (outside the painting): Don't laugh! Do not laugh!
Owo (outside the picture): Don't make a sound, otherwise we won't be able to read it!
Teacher (outside the picture): Be quiet!
154. Medium shot. The teacher asked the students to be quiet--
Teacher: Be quiet. (Then turn to Ovo) Do it again, be brave!
155. Medium shot. Ovo raised his hand and asked—
Ovo: Teacher, can you be more patient?
Teacher (outside the painting): What do you want to do?
Ovo: Can you repeat it again?
156. Medium shot. The teacher happily agreed to Ovo's request--
Teacher: Of course you can, EMARPSZAMEN, pay attention to your tongue... (point your palate with your fingers, and stick out your tongue for Ovo to see)... you have to touch your palate... here, then stick your tongue out: EMARPSZAMEN! Come, be brave!
157. Medium shot. Ovo repeated it again with the teacher, but he slapped his tongue again.
Ovo: EMARPSZA... (smacking tongue).
Fatty (outside the picture): Try hard, Ovo, it's almost there!
158. Medium shot. The teacher smiled happily--
Teacher: Oh, that's not right!
Ovo (outside the picture): Shut up your mouth, you are annoying me!
The students booed mockingly.
Teacher: Be quiet! (Turns to Ovo patiently again) Be brave! come on! EMARPSZAMEN...Come on, like I said, hurry up, come on, it's wrong the first time, it's not strange at all, then correct it...hey, right, see? I read with you: EMARPSZAMEN, how about it? Come, let's listen and read!
159. Medium shot. Ovo failed again for the third time and slapped again.
Ovo: E-MAR-PSZA... (smacking tongue).
160. Close-up. The teacher was a little disappointed, and once again plucked up the courage to patiently guide Ovo——
Teacher: Oh, that's not right! Again! Be brave!
Ovo: No, I can’t send it out, teacher...E—MAR—PSZA (speaking) You see, I think it’s too difficult, Greek is too difficult!
The teacher listened hopefully with a smile on his face, and his face slowly became serious when he saw the slap again. He stepped back slowly and stared at the student earnestly. The student was at a loss and was still thinking about—
Ovo (outside the picture): Where do you say the tongue is placed?
The teacher stuck his tongue out again, hesitating.
161. Medium shot. Ovo stuck out his tongue and waited.
Teacher (outside the painting): Less, not so much...
162.1/2 close-up.
Ovo: Is that okay?
Teacher (look, praise): Yes, that's it!
Ovo obediently but still a little skeptical, slowly and clearly read with the teacher-
Teacher: Ovo EMARPSZ... (Suddenly interrupted, Ovo deliberately made a loud slap this time)
The teacher became furious, punched the podium hard, yelling and drove Ovo back.
Teacher: Damn it, go back to your seat!
Ovo (outside the picture): I'm going to read it right away, but...
Scene twenty-three corridor. interior. daytime. spring.
163. Vision. Ovo leaned against the door frame of the laboratory, not wanting to be seen, and smoking secretly. There was a sound of footsteps in the laboratory, and he glanced outside—
Dita (outside the picture): Who?
Ovo: It's a fat man.
Seeing two companions greet him in the corridor, the fat man walked over.
Dita: Fatty! You were also kicked out?
Fatty (voice overlap, back view): Owo, let me take a sip!
Ovo: Just one bite!
Three people stood in front of the open window. A pinch of sunlight shot through the window, and the voices of nearby people came.
The woman (outside the painting) sings "Rainstorm Day".
Dita: I said, the poem you wrote to Adina was torn by her again, isn't it?
164. Medium shot.
Fatty: I wrote another song!
The fat man began to recite his poems. He closed his eyes, held one hand high, turned around, then put his arms against the wall, pretending to hit the wall with his head.
Fatty: Oh lovely girl, dear Adina, you make my heart beat. clatter! clatter! clatter!
Dita (outside the picture, laugh): Go hard!
The fat man smiled and returned to his two friends.
Dita: It's hot outside!
Ovo: Oh, I like Adina's mother!
As soon as Ovo's voice fell, the fat man l
View more about Amarcord reviews
