Of course, there are some differences, at least I have finished reading it, and I don’t have as much dislike for medium. This is due to the heroine's styling and her petite and cute face (a full circle smaller than her husband). I always feel that she is full of romantic French style, and that set of very exquisite outing clothes, dinner clothes, pajamas and long skirts are really good.
This is a world for good. There are no real bad guys or bad ghosts here. No matter how fierce and terrifying they look, those ghosts will eventually talk for more than ten minutes with the help of the heroine for some reason, and then return to peace and shed tears to express their feelings. , Crossover. This modelization makes me a little tired, but it should be suitable for people who want to find excitement but believe that "the world is beautiful".
The other thing that made me criticize was the personality of the heroine. Give a conscience advice to those ghosts who want to ask the heroine for help: Do evil first. A polite request is useless, she will only say "I'm sorry to be busy now"; but if you flash the lights, smash the cup, toss the innocent people, even if you can't push her away, she will die. Get involved in your business. This woman takes her own talent as her responsibility, which is very good, but why has she insisted on acting "by herself"? Why must "a person" figure out the facts first? This is a kind of arrogance, even conceit. Of course, it may also be a way for the screenwriter to torture the audience's psychology... Will it feel even more terrifying to see the delicate beauty facing the evil spirits alone? A sense of protection emerges spontaneously? Oh please, I just think "Why don't you ask your husband to come with you?".
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