The feeling of this play is pretty good. I started a good head and maintained a good setting system: one person has one ability, and there is only one person with ultimate ability. The source of ability is a bit scientific, and it is a theme of salvation. In terms of links, the first season was too short, and the second season really started. However, it is obvious that xfiles' similar unit drama + main line approach is used to advance. I appreciate this approach, especially unit dramas. It fits the theme of 4400 very well, and it is also very useful for the business model of American dramas, which is plagued by vices. A simple story can be completed in a relatively short time. It's a pity that American audiences don't buy it, it seems they can't accept this kind of slow thing.
Compared with heroes, the 4400 is in ability setting. The 4400's ability is basically set to serve the theme of the current unit. This can be seen in many unit dramas. The audience's attention is not completely focused on the simple mode of Superman Wars, so the screenwriter can arrange some short stories reasonably, or curiosity, moving or joking. Curious things such as the first persuasion murderer to be locked in is an alternative interpretation of zodiac. For example, the story of a certain father and a child with autism after promicen was released, and finally after Sean cured the autistic child, his father said "I am very happy to exchange the freedom of my child for the life of my child with my freedom in the second half of my life. "I am very moved. The joking example is the story of the first to deal with the mark, the parody of Bill Gates and the original author of the dos operating system. It can be said that 4400 only uses superpowers as a form of expression to tell stories, which is very good. Even if there are some loopholes in ability, it can completely justify this statement. I can't help but talk about heroes. The ability loopholes in this show are big. There are three ultimate abilities (at least everyone can think of), and the plot is as simple as superpower fights. In the first season, if there is a lot of clues and some trouble, the second season will be bad. When I saw the collective hydrocephalus of all the characters in episodes 8 or 9 of the second season, I was very angry about why it was not heroes that were cut down, but 4400.
Anyway, 4400. Great background. The background of the 4400 is the contradiction between superpower owners and ordinary people. Speaking of a sense of social revolution, that is, if the method of calculating benefits suddenly changes from the existing economy to the ability (talent), what will happen to human society? In the 4400 script that has been described, if the intervention of future people is excluded, it is the division between the qualified and the unqualified after Dr. Kevin (that is, the lunatic, the prototype is the nash handle) after the normal discovery of the promicen. The privileged class among the unfits will definitely want to kill the unfit to protect their existing interests, and the radicals among the fits will definitely want to kill the unfit to redistribute their interests. That is, no matter what, it is possible to embark on the desperate situation of future people, the problem is choice. In the future, people will come back to intervene in this matter. The butterfly effect we hope to produce is not to peacefully evolve everyone, but to hope that the two radical groups will make less trouble. In my opinion, this background setting is quite clever. At least four factions can fight in chaos, so as to get rid of the simple relationship between good and evil in the past. Reconciling among many factions is originally a philosophy that Orientals are good at, and it is inevitable that American audiences cannot accept it in the end. Because the system of American TV shows is destined to be very long. In the completed episodes, it has been generally announced by future people (season 1), simple analysis of qualified and unqualified persons (season 2), promicon dissemination and generation of 4 factions (season 3), and reconciliation The conflicts between factions begin (fourth season). Maybe there should be another season or an independent finale to give everyone a bright or dark ending. It only depends on whether they are willing or not.
Let me talk about the actor role in it. Affected by xfiles, I like the arrangement of the two agents very much, because they have a lot of power to do things well. The combination of Tom and Diana, one weapon and one article, is also very much like xfiles, both of which are female scientists. Although the hostess is actually a bit old, it tastes good. Uncle Tom was in a mess. The role positioning is also very good. Although Tom has principles, but fortunately he will not be as hungry for truth as Mudd (Tom can live without it); Diana is not so rational, after all, he has been with a stick all day long. Living with his daughter, it is cleaner to kill than a man. In other roles, it's generally fun. Don’t talk about john Jesus. I prefer the neurotic woman who is Professor Kevin’s girlfriend. The madman is innocent and cute (No, I will go to the Terminator to play the non-human being with this kind of expressive spirit).
Finally, to sum up, this drama is very beautiful, better than heroes who are also superpowers. It's a pity that it was hacked, and now I can only hope that it will end up like firefly in the end. What is the ability of Tom after the injection? There is also diana (look carefully, there is actually a small through in a certain episode).
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