Maternal awakening instantly kills stupid husband and nightmarish life

Deondre 2022-01-06 08:02:13

Before the baby was born, that is, most of the time in the film, from head to toe, there was a strong, dumbfounding realism, a bit of realism: a
shabby little restaurant on the roadside, shabby The work, the shabby family life, the shabby life rhythm/pattern, the shabby friends/workers, the pitiful life of the little people have a panoramic view.
The protagonist’s pregnancy made her meet the gynecologist who had just come to town. The two of them fell in love at first sight, cross-legged, cuddled, and kissed continuously, which brought a bright spot to the bad life, but the bright spot was also shabby, a bit nauseous. It's so funny. Although the film has warm colors, especially the various styles of brightly colored pies, and the strong foundation of the sweet smell that can almost be smelled from the front of the screen, the gynecologist’s love for the heroine who is about to be the mother of man still makes me feel this No, for a mother, searching for true love ≠ being pregnant. Moreover, there is nothing touching about a married man lingering around a pregnant woman with a big belly.
Romanticism and realism don't take care of my ethics and cleanliness. They collide gently, like the protagonist mixing all kinds of strange materials together to make delicious pie, producing a wonderful chemical reaction. Not only did the protagonist find a new love, the pale-skinned worker also got love at first sight, and another worker who had a husband who could not take care of himself also hugged and hugged the restaurant owner. This is a comfort/relief from the little character's hard life. breakthrough?
The host shared her sluggish expression after pregnancy to deal with everything in her life. She successfully used this expression to protect herself, but in front of her husband who was severely deformed and distorted in a fascist way of fucking her husband, She would still panic, cry, and show an expression of boredom and even a trace of despair.
Obviously, seeing half of it, even if you have seen spoilers before and heard some comments from here and there, you would not think this is a feminist movie, at best it is just a movie with a feminist perspective. Or, at best, it just wants to try to express something from a feminist perspective.
The protagonist’s ingenious lens (first-person perspective) used to successfully demonstrate this feminist perspective when he was in labor: For others, production is just one thing, you can see its development and results, but the feeling is at most what you see and hear. Only the mother of the person concerned can feel what this is. This is a baptism of life. Who hasn't seen a childbirth scene in movies and TV? The parturient woman with blood rushing on her head, hysterical howling, family members/doctors/nurses/various temporary midwives (such as concubine/passers-by, etc.) hurriedly cheered, and then hugged a bloody flesh from under the crotch, vigorously The director of Dian will also let the audience see the umbilical cord...These all reflect the pain and difficulty in the process of creating humans, but they are no different from expressing the powerful force of women as mothers: the nature/mission of gestating a new life through extreme pain.
The film did it. Holding the baby just born, looking at her toots little face, all the doubts of the waitress, and the doubts of pregnancy are solved-in fact, it is not solved, but she understands what she needs What's wrong, she knows what choice she should make, she understands that she can make such a choice, just right, the stupid husband hit the gun at this moment, he is in her wife, no, it should be said that the mother is the weakest but the most spiritual The powerful moment tried to repeat the same trick. He said, "Hey, remember what I said? Don't love children a lot." The
mother's small universe broke out peacefully, and her response was Tianma Meteor Fist, Fist Fist Crit. Every hit will kill: "I don’t love you, Earl. I’ve never loved you in years. I’m going to divorce you. I fucking want you to disappear from me and never touch me again. We’re done. If you Six yards away from me, I will slap your ass and enjoy it."
Before that, she was looked after by her husband like a pet, but where is there a pet that can make money without complaining and obedient? She worked so hard to save money to run away from home and was discovered by her husband. She had no choice but to buy a crib for her child as an excuse. As a result, the money that meant life-saving for her was eventually ruined by her husband using it to buy DV. She suffers from high-intensity domestic violence (it is conceivable that if it is not for pregnancy, if it is not for the docile bow of her head, it is normal for her to be beaten to death by her husband), hopeless family life, and monotonous work. Just doing a good job, having a sweet extramarital affair, tolerating the stupid husband again and again, this kind of blindly "showing weakness" is obviously no way out. No matter how delicious the pie is, the people who do it will have all kinds of misfortunes; no matter how sweet an extramarital affair is, it can't cover the bitterness of a loveless marriage. Only an outbreak is king.
Later, he received a big inheritance gift from a bad-tempered old man, a brand new hotel of his own, and the last shot of the tender mother and daughter returning home, although deliberately but not stiff. The audience understands that a weak woman who is behind bars in marriage and love does not regain a new life by winning a lot of luck. It’s the process and fact of becoming a mother, and it’s the great meaning of giving birth to life, which made her begin to face life bravely. She only needs to say goodbye to her totally unreliable husband and lover who will never have tomorrow, and say it in a different way. Goodbye, and say goodbye to the men who are getting in her way in life, and she may live a good life. It depends on her personal luck. The model used in this film is a huge gift of money and entrepreneurship. The audience will not be stupid enough to really believe it.
Nowadays, young women all over the world are prevalent in feminism, but most of them lack self-awareness, making these feminisms have their own appearances and strong in the middle. I hope this film can bring a certain degree of enlightenment to the majority of young women. No matter how others treat you, especially hooligans and bad people, don’t be self-deprecating, don’t abandon yourself, and don’t try to control violence and fight poison with violence, you are all possible ( The vast majority will certainly, and not many reluctantly/accidentally) Becoming a mother is a very solemn and solemn thing. Take care of yourself, dare to face the worst gangsters, dare to face the bleak situation, and persist until Liu Yinhuaming Moment.
PS: In addition to the awakening of personal consciousness, a skill is also an important guarantee for the salted fish to stand up!

PS: When I woke up, I was ashamed of my sourness in the middle of the night. In fact, there is only one truth: If you are unsatisfied, you should flash people early. Do you think you can wait until the children are hugged and let your husband go out?

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Extended Reading

Waitress quotes

  • Jenna: I don't want you to save me. I don't need to be saved.

  • Earl: Hey. You remember what I said - don't you go lovin' that baby too much.

    Jenna: I don't love you, Earl. I haven't loved you for years. I want a divorce.

    Earl: [laughs] Well, that's not a funny joke. You got this new baby here, you shouldn't be making jokes like that...

    Jenna: I want you the hell out of my life. You are never to touch me, ever again; I am done with you. If you ever come within six yards of me, I will flatten your sorry ass and I'll enjoy doin' it.