Suspense is emerging, but the process is calm and enjoyable. A movie that belongs to two women is calmly narrated in mystery, such as the process of rolling up a curtain above a pool of water.
It may only be a matter of time before François Ozon becomes a master. Or maybe he would rather always be a ghost outside the standard.
Regarding two women and a murder, it appeared in [Kanhai] in 1997. The 52-minute short film is really straightforward and blunt, and I can't say that there is no aftertaste, but what I feel is just the shudder caused by an uncaused carnage.
A female novelist who is addicted to bloody eroticism, a young girl who seeks pleasure every night. [Swimming pool] The topic of eroticism must be entangled. Charlotte Rampling's expression is really talkative, it's hard to say whether the disdainful expression when she first witnessed the girl's debauchery contained a humble sense of identity. Julie is an ambiguous inspiration. When Sarah created a folder belonging to the girl on the screen, she got out of the bottleneck like a treasure. When she wakes up, the girl says: I killed him. I think it's for your book. She is no longer the only perpetrator of the story.
Regarding the illusion, I do not choose to believe it completely. The story is not all told from Sarah's perspective. The suspense created by Ozon is not enough to overthrow everything. The ambiguous tolerance between the two women born by the hostility is what he carves. For example, Sarah, who passed by with a strange girl in the end but stared at her with a smile for a long time, even if it was Julie who had never met before, even if everything that happened did not exist, it was no longer important to us.
"Many people say that I am willing to portray women, and this phenomenon may have occurred in the past movies. I did not deliberately shoot like this, and I want to say that women change more than men. Women’s secrets, sensitivity, and their love More than men, it’s harder for me to shoot women than men.”
From the unicorn of a woman in [Under the Sand], the tragedy caused by the women under the gorgeous package in [八美图], to the mystery surging of eroticism in [Swimming Pool], this may be Ozon's admiration for the female subject matter he admires. Another challenge of changing the line.
2007.7.
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