Really, too real, but...

Milan 2021-10-19 09:48:39

Not much good things are said, everyone has said too much.
Compared with "The Incredibles", the biggest change in "Ratuitouille" is a big step towards naturalism and realism.
For example, the color has reduced the simple and bright cartoon color, replaced by an elegant, natural and rich color spectrum, depicting the details: such as the city of Paris, such as the reflection of the tableware, which is very realistic, and in some places it can even be fake and real... in terms of movement, It reduces Superman's (also a Disney animation tradition) elastic exaggeration, reduces the range of movement flexibility, and moves smoothly and naturally... In short, it is more natural.
These changes are not only due to technological progress, but also to the transformation of ideas. Because Disney’s tradition is "dramatic" musical, rather than naturalistic and realistic.
The most obvious difference is in the setting of mice: Disney has used countless mice, but they have never been so realistic.
Due to the small exaggeration (character design and action), and the rendering of the fur is so breathtaking (after the mouse's fur is soaked, it is simply a real mouse skin!) The rat in "Ratuitouille" always makes People think of "real" mice, not symbolic, "expressionist" mice.
In some scenes, such as a group of mice running out or falling from the air... It was shocking... It was a test of the endurance of some MM audiences (I did an audience test, and some people could not stand it), they would shout "Too true !"

Combined with a question I am considering recently: The continuous improvement of 3D technology has made animated images more realistic, but does it bring some problems?
A very real gray mouse, so real, is it necessary?
The freehand brushwork of the action is less, and the realism is more...What are the characteristics of animation art?

Pixar's artists are worthy of admiration, but the truth... is it going to go further?

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Extended Reading

Ratatouille quotes

  • Mustafa: [taking Ego's order] Do you know what you'd like this evening, sir?

    Anton Ego: Yes, I think I do. After reading a lot of overheated puffery about your new cook, you know what I'm craving? A little perspective. That's it. I'd like some fresh, clear, well seasoned perspective. Can you suggest a good wine to go with that?

    Mustafa: With what, sir?

    Anton Ego: Perspective. Fresh out, I take it?

    Mustafa: I am, uh...

    Anton Ego: Very well. Since you're all out of perspective and no one else seems to have it in this BLOODY TOWN, I'll make you a deal. You provide the food, I'll provide the perspective, which would go nicely with a bottle of Cheval Blanc 1947.

    Mustafa: I'm afraid... your dinner selection?

    Anton Ego: [stands up angrily] Tell your chef Linguini that I want whatever he dares to serve me. Tell him to hit me with his best SHOT.

  • Remy: Hey, I brought you something to...

    [sees Emile eating garbage]

    Remy: AH! NO, NO, NO, NO! SPIT THAT OUT RIGHT NOW!

    [Emile obeys]

    Remy: [sighs] I have *got* to teach you about food. Close your eyes.

    [Emile obeys; Remy holds out piece of cheese]

    Remy: Now take a bite of thi...

    [Emile snarfs the cheese]

    Remy: [whacking him on the head] Ack! No, no, no! Don't just hork it down!

    Emile: Too late.