Standard road movie

Hollie 2022-01-07 15:52:57

A very smooth road movie, regardless of the plot, character relationships, and emotional changes, is a fairly standard Hollywood model. The last time I watched such a smooth road movie was "A Night in the Air".

Selling books and visiting for magazines or newspaper subscriptions seems to have been very popular in the United States. I remember that the heroine of "American Sweetheart" was driving a national sales magazine with others, the same road movie.

Are gas stations and gas shops so common in the United States? I feel that no matter where the car is driving, I am not afraid of running out of gas. Of course, the gas tank and mileage are not as good as they are today, right?

Was it possible to refund tickets at any time in the United States that year? Do you charge fees? If so, what percentage of the fare will be deducted?

The little girl smoking is too much description, it is a bad example, if you change it to another way, it will be fine.

For the black girl, it is rare that the little heroine and her broke through the racial boundaries and became "confidantes of the same sickness." The two children expose the ugly face of the dancer is the most exciting.

And the new car for the broken truck is the funniest.

The heroine Tatum O'Neill turned out to be really two fathers and daughters with the hero in reality! So in this film she became a generation of child stars, especially won the Oscar for Best Supporting Actress, becoming the youngest winner in Oscar history. I remember that Tony Leung was dissatisfied with losing to 14-year-old Liu Le Yumi (the youngest actor in Cannes history), thinking that he had no acting skills. In fact, although Liu Le did not become a big hit, he has won the actor or best actor several times, and he still has acting skills.

The acting skills of the little heroine are so powerful that they cover up everyone.

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Extended Reading
  • Antonia 2022-04-22 07:01:41

    Another road story between children and adults. I have seen similar ones in the impression of "Perfect World", "Kijiro's Summer", "Central Station", "God Bless America", and finally adults always get along with children. process has changed. But this one is earlier than them, but I watched it last, so the story of the journey is not so exciting, but the setting of the liar is more interesting, and the ending is reasonable.

  • Vita 2022-04-20 09:02:08

    A pair of liar father and daughter, but people love it so much that they can't hate it at all. I love this succinct, confident, Western-style shot. Love that art piece as cool, the current soundtrack in the scene. I like the slyness in the little girl's eyes, and the embarrassment on the brow of "her father". I like the fantastic and thrilling stories on the road. For this truth of the soul, for the silent touching on the "Paper Moon"!

Paper Moon quotes

  • Addie Loggins: I want my two hundred dollars.

    Moses Pray: I don't have your two hundred dollars no more and you know it.

    Addie Loggins: If you don't give me my two hundred dollars I'm gonna tell a policeman how you got it and he'll make you give it to me because it's mine.

    Moses Pray: But I don't have it!

    Addie Loggins: Then get it!

    Cafe Waitress: [walks over after Moses slams his fist on the table] How we doin', Angel Pie? We gonna have a little dessert when we finish up our hot dog?

    Addie Loggins: I don't know.

    Cafe Waitress: What do you say, Daddy? Why don't we give Precious a little dessert if she eats her dog?

    Moses Pray: Her name ain't Precious.

  • Moses Pray: [calling up to Addie on the hill] Let's go!

    Trixie Delight: Hurry up, Doctor. This baby gots to go winky tinky!

    Moses Pray: [patting Trixie's shoulder] Don't worry.

    [calling up to Addie again]

    Moses Pray: Hey!

    [Moses starts walking up the hill]

    Moses Pray: Come on, we're ready! Come on, now!

    Addie Loggins: I ain't comin'!

    Moses Pray: You listen here, child...

    Addie Loggins: No, I won't listen here.

    Moses Pray: What the heck's up with you then?

    Addie Loggins: I wanna sit in front! And how come we ain't workin' no more?

    Moses Pray: 'Cause we're on vacation, that's why, and Miss Delight and me are sittin' in front because we are two grown-ups and that's where grown-ups do the sittin'! And little children do not tell grown-ups what to do with their lives, you understand that?

    Addie Loggins: Well, she ain't my grown-up and I ain't plannin' no more to sit in the back. Not for no cow!

    Moses Pray: Will you keep your voice down? And Miss Delight ain't no cow. She's a proper woman. She has a high school diploma. And right now she's got to go to the bathroom, so you get on down to the car!

    Addie Loggins: She always has to go to the bathroom! She must have a bladder the size of a peanut! Well, I ain't gettin' back in that car... not until she gets out of it!

    [disgusted, Moses goes back to the car and talks to Trixie]

    Trixie Delight: [making her way up the hill] Hey, what's up, kiddo? Daddy says you're wearin' a sad face. Ain't good to have a sad face. Hey! Hey! How'd you like a coloring book? Would you like that? You like Mickey the Mouse?

    [Trixie trips and falls]

    Trixie Delight: Oh, son of a bitch!