The two-and-a-half-hour movie revolves around the plight of suspended white police officers and black people who have been released from prison.
The old policeman Ridgeman and his partner Lurasetti, who were suspended for violation of law enforcement, planned to rob criminals due to life, but unexpectedly kept up with the robbers who robbed the bank. It just so happened that the black Henry who was released from prison also had trouble with his family because of family difficulties. A friend gave the robbers a hired driver.
After the robbers successfully robbed the bank and escaped, they planned to deal with Henry and his friends, but Henry escaped. At the same time, Ridgeman, who followed up with the stolen goods, was designed by the robbers to kill his companions. In the end, Ridgeman killed all the robbers and confronted an intuitively looking Henry. The two agreed to share the stolen goods, but they were still susceptible to mutual suspicion. In the end, Ridgeman threatened Ridgeman to get back the criminal footage that was not good for him, but Henry counter-killed him. In the end, Henry gave a copy to the Ridgeman family.
The whole story is a robbery, the tripartite forces are basically reasonable and complete, and it is not clear what the ending will be until the end. There are no loopholes in the details of the whole robbery, and it can be used as a textbook for robbery. But the "concrete floor" to be embodied in the plot design took up so much time in the movie that the entire rhythm was disrupted. Except for the part where the gun appeared, the rest of the time was extremely plain, and the people watching were in the mist. Each scene alone is very exciting, and the actors' lines and acting skills are excellent. However, the scene switching, the arrangement of the story connection, and the urgency of the plot make it difficult for the audience to understand the content of the film.
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