Ed's private channel (the first half hour is embarrassing for honey). Generally speaking, a fairly acceptable popcorn movie, but the attraction of the whole show is only the loss of the attention of passers-by in the show. The director has done too much. It sucks. (Because I didn't feel how interesting the show was, especially the part of the president, which was too absurd.) Men can't say no, and they can't be said no. Women want to be pursued. (But it is necessary to distinguish whether this is like or enjoyment) The comparison between Sari and Ji An in the middle is the embodiment of materialized women. (The male protagonist is not at all uncomfortable and needs others to worry about it?) Without privacy, there is no dignity. This is the theme that has always been highlighted throughout the film. From the cold war between the hero and Lei to the separation between him and Sali, and the separation of his parents, it is all because there is no personal space. Life is also true, as Sanmao said, no matter how close friends are, they must keep a glass of water away. We must respect the privacy of individuals and leave room for each other's personal space. Don't ask if you don't want to talk, listen if you want to talk. This Watanabe-style tacit friendship is an ideal way to get along. For example, Xu Xingzhuo and I. The most influential and favorite of the whole film is that there is nothing wrong with you. There is nothing wrong with you. I also like the male protagonist to say to the female protagonist (confession segment) Listening I want you, Shali, as long as you and I don’t want other people, I want It's you. And the last male lead sentence I still want to get back the last bit of dignity, I chose to quit. It's the final climax of the whole film.
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