After completing all three seasons that have been released so far, in an amusement park called Westworld, the NPCs called hosts are AIs that look almost the same as real people. The first season is about the process of AI awakening self-consciousness. The second season is about What’s more is the specific process of AI seizing power from humans & at the same time, it has begun to blur the boundaries between humans and hosts, like PKD. The stage of the third season has completely moved from the western world in the amusement park to the big world of human life, and more. Deepen the question of what is the difference between humans and AI - not only that the body can be replaced by machines, but that everyone is manipulated by society, and even understanding a person only needs to read more than 10,000 codes, and you can predict after reading it In his life, the so-called free will is not free.
As far as the current three seasons are concerned, the theme of each season is expanding step by step logically, but the reputation of the third season has declined. This is part of the problem with season three, and part of the original problem of the series. It can be summed up as: the third season does not play with editing and does not mess with the timeline instead of flat and straightforward, without the convoluted brain-burning based on the editing rather than the plot itself, you will find that Westworld includes the plot of the first two seasons, although it is not so much. It's too demeaning, but it's not so divine, and it's basically something that has been talked about on the same subject. If the first two seasons didn't disrupt the timeline, it would be completely understandable.
Another problem is that I think some episodes, some plots and some segments may be called gods, but there are also many episodes and many plots that are long and have no special meaning. For example, the Maeve line, I liked her in the first season. She was the first to penetrate into the company and was not trapped by the meaning of existence. Even if her daughter was not a real daughter, she still loved her, but the content related to her in the next two seasons really There is nothing to watch. The core of the character has always been to find a daughter, and then develop superpowers like Wonder Woman to be responsible for the play, and not much to advance the plot.
I don't really like the way that the form is bigger than the content, especially when you realize this way, there will be a little sense of loss. Moreover, the form of editing is not as difficult as walking the stream of consciousness from beginning to end. But I also have to admit that using random editing to create suspense is a good way to bluff people. It is better not to be bluffed, but it is acceptable to be bluffed.
Like the Ford line, there is no time line to confuse the audience (of course it must hide the key psychological activity). Ford originally seemed to use AI as a tool, didn't care about their pain, and even took the initiative to make them suffer, but only after the disclosure of the plot did he know that he made AI suffer in order to guide them to awaken, and let AI wake up to become a more powerful species to replace humans, It's okay to let yourself be killed by the AI for that. Still shocking to watch, Ford is also my favorite character in Westworld, alas, but maybe it's really difficult to write the story of each character like this.
In short, there are not only limited-level blood and yellowness to meet low-level needs, but also brain-burning suspense based on disrupting the timeline to meet high-level needs. Although the discussion on AI issues is not as complicated as editing, it still has connotations. It's good to experience the American science fiction masterpiece. As for the sequel, it seems to be planned for six seasons. At present, the third season, I don’t think it’s bad, and there are many interesting points. However, the way of filming and editing in American dramas is really too easy to release and collapse in the later stage. It is already evident. Besides, although I don't think the whole season of the third season is bad, I think the last episode of the third season is a bit bad.
For example, mouth guns decide the outcome, and they talk about the freedom of choice countless times like a proposition composition, and then Demei and Maeve are no longer hostile, and the big data AI Lei Hebo is like a new character with a low sense of presence. Closed, it always feels like victory is too easy. Demei's role change also changed in the last episode. She began to feel that after her awakening, she was careless, killing human beings as if they didn't care about killing the host. Extinction, so she wanted to shut down Lei Hebo to make mankind extinct, but in the last episode, she suddenly said that she wanted to save mankind and give mankind the right to choose freely...
Although it is not impossible to accept it by brain supplementation, after all, when Demei was the host, she was a kind and naive farmer girl. Her lines changed from "I was taught to see beauty" in the first season to "I choose to see beauty" in the third season. ”, also the first echo to look moved. It's really too fast. I don't quite understand why she chooses to see beauty. If she chooses to see beauty, why would she waste her life in the first place, unless she also said that killing is to awaken human beings like Ford. And since the third season has been performed like this, the fourth season and the follow-up are nothing more than freedom and the harmonious coexistence of human AI. It is good to open the traditional Hollywood arts and freedom, then the Westworld is really vulgar. Although face slaps are welcome, for now, we can only look at the sequel conservatively.
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