I really liked after watching "Never Stop". I thought death was such a sad thing, but it can be shown in such a gentle lens. When I arrived in "Deeper than the Sea", I found that the current situation is not good, but I have to learn to accept and say goodbye to myself gently and tenaciously, and live a good life with faith in myself.
It is Hirokazu-eda's films that always use natural and delicate brushstrokes to depict real life, bringing people simple thinking and a sense of relief from life. The family doesn't seem so happy either. Many of them are writers without a stable source of income. After winning the award for their debut novel, they fell into a bottleneck period and were unwilling to be forced by life to write what they didn't want to write. down and down. His wife, Hiroko, should have long been tired of the exhausting family life, divorced from many, and brought their son, Zhenwu. Many can only see their ex-wives and sons when they pay monthly support.
The film opens with a lot of sisters writing New Year cards at their mother's house. The two chat about ordinary days, revealing a lot of news about their father's recent death, and when talking about a late blooming neighbor, he mentioned a man. There are many protagonists. "If you want to talk about a great tool, we have one in our family." "It's quite big." It is Hirokazu Koreeda who is very good at explaining the background content of the story bit by bit in the natural dialogue process of the characters.
Immediately followed by a lot of appearances, with relatively relaxing music, a lot of riding the tram, eating breakfast, and on the bus seem to record something. The first half of the film is about a lot of the image of this man. He lives in a poor house, works as a private detective like looking for divorces and derailments, lives in poverty, worries about child support, and can gamble. , I hope that I can turn over to make money, and look like a middle-aged waste wood. The second half of the film focuses on telling stories in the houses of many mothers, reaching the climax of the story. On such a typhoon night, Lianduo, Xiangzi, and mother carefully tested and confided sincere words.
There are many interesting discussions in the article about dreams and myself. One is a lot of discussions about dreams with his little valet. The role of this little valet is very delicate, and his father is not around. Many times, he can understand the thoughts of Zhenwu.
Second, when a lot of detective Sijia and a young man asked for money, the young man gritted his teeth and said that he didn’t want to be such an adult, but many responded with a little childishness, and became what he wanted and didn’t want to be. Not easy. In this place, I think a lot of people are dissatisfied with the status quo, because this is not what he wants to be, but he feels powerless and can only show the fierceness of an adult and tell the young man what his so-called life is.
The third is a lot of conversations with my son on the slide. I have been thinking about what this sentence means. Many people didn't become the kind of person they wanted to be in the beginning, but in fact, whether or not they became the kind of person they wanted to be in the end is not the most important thing. The most important thing is to maintain a belief in the future and yourself, and become a Oneself, work hard to live a good life, even if in the end we do not fully become the kind of person we wanted to be in the beginning, but it does not prevent us from finding the best version of ourselves.
Many mothers, who have not suffered excessive pain and are not wealthy after the death of their husbands, still set aside time to listen to classical music. When they received pocket money from their sons, they were so excited that they tentatively wanted to ask Hiroko and Ryoko. Can I go back again? After learning the result, I still couldn't help crying, "How did things turn out like this?" Under the shell of a strong mother is still a soft heart. She seems to have a deeper understanding of life and death. On the night of the typhoon, she slept in the middle of the night and talked with a lot of people in the living room. She said, she should be dying, but instead of fear and sadness, it was a kind of relief. I liked this conversation very much and learned to let go of the past. Obsession with self, with confidence and expectation, to find the true and best version of yourself.
Many fathers also played an important role in this story. "My father didn't read a single novel until he died." Later, many took my father's inkstone to the pawnshop, and the pawnshop owner took out many award-winning novels and said, "Your father said, This is the first edition, and it will be appreciated in the future. He must be very happy at the time, it seems that he sent a copy to the nearby stores. Many people didn't want to be like his father, and in his heart he also felt that his father should not like him because he became a writer. But he found out later that his father loved and affirmed himself in this way. Hiroko and many should be in love with each other, but I feel that many need to find themselves.
"I've decided, you have to go forward." Xiangzi said these words to many in the slide, like a farewell, more like a relief and encouragement.
This dialogue is intriguing. When many finally said that I knew, the camera gave a close-up, there was a kind of sadness about finally leaving and parting, the relief of letting go, and a certain determination to the front.
"I haven't loved anyone as deep as the sea in my life, how about you?"
"I, I have it, I have it."
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