In order of my preference: 3rd, 1st, 2nd.
I watched the first short film twice, and the girl transformed from an ant woman who was at a loss to a chair girl who felt at ease. The taste is interesting, and the feeling that arises from this is that I am afraid that I will not be able to stop it without a thousand words. Let’s not press the table for the time being, just talking about this technique, it is interesting: the first half of the story is very realistic, and the details of life seem to be easy to come by, but it squeezes out the girl’s gradually deformed emotions step by step, the second half of the story. Well, it is very absurd. Although it is also a detail of life, it uses symbolism to slowly resolve these emotions one by one.
The process of watching the second short film is like playing a riddle. Clue! ...but I still feel that its cold style is holding me back. I seem to see the sinister director smiling maliciously in the dark;
the third short film made me see the inner shock of the hardcore otaku. The actors Kagawa Teruyuki, Aoi Yu, and Takenaka Naoto are all my favorites among Japanese actors.
At the end, the plane flies over the animated metropolis in the overlook, telling me that the film has come to an end, but I still don't know what to do. "Tokyo! "It should be like "Paris, I Love You", with ten or eight short films. This is not just greed, because only in this way, the big idea about "Tokyo" will be more three-dimensional, vigorous, rich, and delicate. more profoundly manifested. "Paris, I Love You" has come to a perfect curtain call, and "New York, I Love You" is about to debut. When three or five such films set in international metropolises are released one after another, Beijing will also be gearing up for action. The international famous director's field trip...the media is hot...the script was shot by the State Administration of Radio, Film and Television...the reason is to show the dark side of Beijing...the sophistry of the international famous director is useless...In the end, only Zhang Yimou passed...the title of the film was finally set as " Beijing Welcomes You Again", which was screened at the IOC General Assembly... a new climax of the second Olympic bid...
No, it wasn't like this at the beginning. I was thinking about it at the beginning. I admit that it was because I was jealous of the movie fans in Paris, Tokyo, New York, and the vision, mind and bearing of these cities. Why don't I want to see those really excellent directors? Taking the Chinese city that I am familiar with as the background, I made a few short films, and it was very human, did I enjoy it? But when I think about it, I think it's crooked... But, is it really crooked? This is already the most likely result I can think of right now.
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