Romance and reality - more than exploring

Enid 2022-11-03 11:20:06

The movie "Space Rescue" A science student friend asked me to watch this Russian space film "Space Rescue". At the beginning of 2018, the film circle ushered in a new year. Coupled with such capital reasons, this film has very few films, and there are only a few in Xi'an. Fortunately, an elderly movie theater near the school had a screening, so there were fewer setbacks. Based on true events, the film tells the story of two Soviet cosmonauts who risked their lives to rush to repair the space station Salyut 7 in the 1980s. There is a previous "Gravity" with the same theme as space distress. What is the difference between the two films? In my opinion, "The Center of the Earth" is aimed at struggle and self-rescue in loneliness. This film focuses on the collision of romance and reality to stimulate people's continuous exploration of the universe. Ground commander Valery and docking cosmonaut Vladimir are representatives of sensibility. Valery sent astronaut Vladimir and mechanical engineer Victor into space because of his love for space (do not want to destroy the space station's chain reaction affecting Soviet satellites and set back Soviet aviation by ten years), and later in the astronauts. Many idealistic and optimistic decisions are made in extremely limited space to relax the situation. I think Valery's romantic sensibility comes from his deep love for the aerospace industry and his inspiration from Vladimir's successful docking. What lies above the sky beyond the earth is not just a 20-ton piece of iron, not just the reputation of the Soviet astronauts, but the blood-drenched dreams of countless predecessors! Vladimir himself is romantic and emotional. Because of romance, he is eager to touch the unknown world beyond the sky; because of romance, he has the illusion of seeing an angel at the beginning of the film; They will ignore the prohibition and even sneak alcohol and cigarettes into space; because of romance, they will start the second docking directly without waiting for the command to make a decision. Sensibility also fills him with a strong personal heroism. Rational existence, mainly Victor, female biologists and government leaders, secretaries, generals, and ground command scientists. They either stand in their own professional perspective and accurately analyze the actual situation, or based on the current international political situation, they strive to minimize losses and negative impacts. Thus it seems that the realist seeks to detract, while the romantic seeks to win both. Yet this romance is not a boundless fantasy, and in the movies, all romances eventually lead to positive outcomes, at least in the movies. The reason is that romantic thinking makes people jump out of some limitations of the actual situation, dare to think and dare to do, and make breakthroughs and succeed. This is the romantic love of mankind for the boundless universe. Finally, Vladimir knocked out the damaged receptor with the hammer of the proletariat and successfully saved it. Salute 7, and the mutual salute with the American Challenger crew were also very romantic (I thought middle finger or booing during the Cold War...) The Soviet celebratory music brought this romantic spirit to a climax. The real video data about this incident at the end of the film pulls the audience back from the romance. How can the difficulty of reality be as romantic as the movie? The universe is vast, and human beings in the universe are as insignificant as cockroaches are to humans. Because of this, every step of the predecessors' sneaking is very meaningful. Therefore, we should persist in exploring, take the shackles of reality to have romantic dreams, be the ''first cockroach to fly into space'', keep exploring, and let the sacrificed predecessors die in their own right! Disadvantages • The plot arrangement is a bit compact. Because Vladimir has no simulated lens for the protagonist's halo, he goes directly into space, which is a bit sudden. • The 3D effect is not obvious and affects the aesthetics of the film. This is really unbearable. The bright and full colors have become dull and mediocre under the "poisoning" of 3D technology, which is sad. Moved • The aurora at the poles of the earth, the surface of the earth with clearly defined continental plates and the glaciers in Antarctica, the dawn that dispelled the darkness when the space station was successfully saved, objects floating in zero gravity, the rippling lake where the two astronauts rowed together before , The crystal water droplets after the ice melted in the space station... It's really beautiful!

• The switch between Valery's hard-hitting simulantly unsuccessful shots and Vladimir's heavy-duty spacesuit banging hard on the damage receptors is sour. • The settings in the movie are very detailed and have a strong period style. Such as the communist symbol of the hammer and sickle at the beginning, pixel game consoles, typewriters, "Autumn Marathon", huge chimneys and black smoke in the industrial age, Chinese TV news anchors in the news of various countries, spacecraft full of mechanical metal feeling and the same Compared with the relatively backward black-and-white monitors, the US Star Wars plan... These many details, coupled with the strong Soviet-style songs and music, give the audience a strong sense of substitution.

• The actors are all good at acting, and praised Vladimir's daughter by name. There is so much love between father and daughter!

Finally, I hope that the film industry of the motherland will work hard and make such a wonderful sci-fi movie as soon as possible. (ps I really dare not let people remake "The Three-Body Problem". It's also money, why can someone else's money be more capable? Sad.)

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