The cuts of the shots are very textured and even powerful, and the soundtrack is even better. Several sound effects and drums have hints from "martial arts" to "cult classics", which greatly promotes the effect of sudden changes in the shots or sudden changes in the plot.
What made me stunned and couldn't help myself was that Wang Baoqiang made me experience the feeling of anime characters for the first time. The high-speed road play directly aroused my impression of the madness and madness after Hirako Mako in "Reaper" (although I only watched this anime) ?) The kind of burst of power that can only be found in Japanese hot-blooded and fantasy anime (even a typical roar in Japanese comics) In contrast, Donnie Yen's "cooling" process from losing control of madness to remembering restraint and regaining sanity seems stiff. dim
The level of logic and narrative may be slightly worse, but this is what the creators are not afraid of the most - martial arts films, martial arts films, there are much more attractive places than these two, what narrative should be paid attention to. And the constant flashback insertion as a supplementary narrative can be regarded as a straightforward explanation of the motives and the characters. In the end, I found that this film has the purpose of paying tribute to all the members of the martial arts film stage and behind the scenes, explaining and making people more accept the collage narrative narrative. So, along with the movie, the highest tribute to all the members of the martial arts set, both in front and behind the scenes.
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