It starts from an illusion, and after passing through the appearance of floating beings, it returns to the illusion, and returns to the dismantling of the illusion. Then it enters a new cycle, and the beginning of the cycle is an illusion. Reality is impossible to exist, we must reconcile with the illusion, admit the antecedence of the completely rootless state of existence, admit that the complete self in the mirror of Na Lacan is only broken and glued together by imagination with the help of other's cognitive fragments A fictional whole that has arisen, any illusion is not a destination, we have no destination, and the place where we lost our destination is our destination in a sense, and it is the place where we should really muster the courage to set out. Reminds me of the sentence I posted two years ago, "Although fantasy is not reality, reality is hopeless without fantasy. Fantasy born and fantasy bred, reality must respect highly fantasy, otherwise it will get rot gradually in its hopeless itself." Come on, it's still good. Delusions and illusions are not completely false. As long as we can always realize that illusions are illusions, and the world is built on illusions, there is no reality, but we need to break the attachment to illusions at any time. On the ruins of nothingness, it is not that there is no possibility of reconstruction. Delusion is excessive, but sober and restrained imagination brings change and generation. "Transcendence and salvation are all in restrained imagination." This is another sentence from two years ago. talk. Every reincarnation is different, and every reincarnation is not connected end to end. There is a singularity in reincarnation. It looks like a utopia at first glance, but in fact, if you control it well, it will always save us from the difference of nothingness. topia.
Toshi Kon's production is still phenomenal, and he has extremely profound insights and reflections on the spiritual conditions of Japan and even the modern human society, reflecting the "idol worship" and "self-deception and self-evasion" of too many modern people, "Maromi ” and “Baby Boy” are just two sides of this weak illusion, one by building an idol, the other by “disassembling” (killing) the striking truth and all kinds of disturbing troubles and anxieties of life. The ending is a little sloppy, but it would be good if it was regarded as an open question rather than a closed conclusion. It can be directly related to Nietzsche's eternal reincarnation. In fact, it really feels that "eternal reincarnation" is about to come out. Animation can be manipulated to such a degree that it is completely impossible for movies to discuss the human spirit and achieve such depth and breadth. In my opinion, Jin Min is a director who can enter the top of the pyramid of human image history. After reading it, it also announced the end of the recent viewing cycle. After finishing it, you can read the text...
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