on national sentiment , his final suicide not only did not express the so-called fear of crime, but his self-awakened higher anti-war intentions showed the director's wishful servility, as if a Kadokawa committed suicide in fear of crime on behalf of thousands of Japanese invaders. With our 300,000 lives, we should generously forget the heaviness of life and cater to the frivolous and hypocritical concept of great humanity. In art, you can pretend to show great morality, but life is the bottom line. Without life, how can morality come from? Therefore, it is totally thankless and scolded for him to use the perspective of Kadokawa, but the problem is that if he does not add such a new perspective , it will be no different from the Nanjing Massacre film a few years ago. Although his black and white images are rough and rough The texture, the swaying shots (the aunt next to me madly said that the director was sick) , a little more realistic records of comfort women, a little more gunpowder smoke and the human body are a little different. These things are not necessarily better than the film itself. Where to go (not to mention the exaggerated Gao Yuanyuan to disgust me) I want to mobilize the collective national emotion, I want to show off my vanguard shooting skills, I want to find the wrong audience, I want to go documentary style and make some hypocritical jokes... Anyway, I really don't like it!
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