The skillful use of the lens, the large-angle upside-down shot of the villain German characters, and the white-lighted eyes in the tank enhance the character's sense of evil. The male protagonist who was whipped in the prison and the villain German officer frequently switched between the overhead shot and the high-angle tilt shot. This scene is similar to the end of the play when the T34 tank driven by the male protagonist crashes into the German officer's tank. The male protagonist stretches out his hand. The inverted tilt-up shot when going to hold the villain officer echoes. The scene of shaking hands at the end of the play is extremely idealized, but the reversed shot shows the reversed power relationship. There is also compassion. In the first scene, the back of the protagonist against the light at dusk is in contrast with the protagonist in the concentration camp a few years later when he agrees to drive the t34 to select teammates in the morning light. When the four protagonists drove the T34 out of the concentration camp, took a bath in the lake at the foot of the mountain and shouted Ullah and freedom, echoing Tchaikovsky's "Four Little Swans Dance" and thinking of the heroine in the movie "The Dawns Here Are Quiet" In order to attract the attention of the enemy to play in the lake, her teammates asked her, "Are you afraid at that time?" She replied, "I am not afraid when you think that you are behind me."
The deepest impression is that when the protagonists cleaned up the bodies of the Russian soldiers in the T34 tanks that the Germans had just captured, the camera cut to the Russian heroine who was forced to act as an interpreter in the concentration camp, and the heroine took off her turban to the dead. Russian soldiers salute. Thinking of the news that the French army regained lost ground in Renoir's "The Great Disillusionment", the male protagonist dressed as a woman on the stage in the prisoner of war camp sang "Marseille", and the scene shot by Wei Wei expressed his reverence. .
However, the war scene in the opening account of the cause is too long, and the portrayal of the characters is ignored in order to express the big production and show off the skills. In the end, the confrontation scene between the two sides in the town was equally chaotic. The sudden tension and calmness did not take into account the emotional fluctuations of the audience.
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