Three and a half. I originally planned to watch "Emergency Rescue", but I did not have the habit of watching the score before watching the movie. I went to see the score, which made me discouraged from Lin Chaoxian and Eddie Peng, and decided to deduct the 5 yuan handling fee to refund the ticket. In the field, I thought about the good impression of some Maozi films before, so I chose this one.
First of all, Mao Zi's movie sense is really invincible, and the light, shadow and color of the romantic Xiao Sha are pleasing to the eye. A large number of close-ups of the actors' faces and pupils, combined with the single-beam lighting and backlighting, are really amazing. The climax at the beginning and the relatively dense and compact rhythm of the whole film are still very comfortable, and the opening chase scene and the appearance of the German tanks are shocking and show a unique Russian composition aesthetic. The echoes of the front and rear street battles make the film symmetrical and neat. Although the only emotional line is inexplicable, and the escape from the war does not delay the rolling of the sheets, I am a little speechless, but I have to say that the various atmospheres make this bloody particularly romantic. The tank version of Swan Lake is really good. The soundtrack has a bit of Dunkirk flavor, and it's quite emotional.
Besides the question, the story is based on facts. At first glance, it is a bit of a drama. Various plot designs make me speechless. Klaus and the others are so arrogant and arrogant. It also allowed him to duel with dignity... Although the whole film's hedging design against morality and derogation is acceptable.
The big question, can you, don't, almost, give me a shot for every shell, high speed, slow, shot! ! Once or twice, I thought it was quite exciting. After watching too much, I wanted to get off the seat and throw the screen...and the panoramic display at the back, I thought it would show me 3D panoramic modeling! It's not ugly, but it feels a little weird! Just like the scene of running the map in "Exterminating Violence" at that time, it made me feel inexplicable. Of course, although the embarrassing thing is that it still works... and although the rhythm is good in the first half, you are too relaxed to cut the scene! ! I don't even know whose tank hit whose tank, and whoever fell, whoever blew up, whoever won! !
The deliberately created form of some shots is too strong. It doesn't matter if you have this kind of shot, don't abuse it like a ballistic high-speed shot... After watching it too much, it feels like you are promoting the redism that you have been quiet! ! ! (But Ula is still very surging when it comes out!!!)
Therefore, in addition to the strong sense of anti-German drama in the story, the use of the camera lens is a bit less, and at the same time, the sense of picture is a little bit more. What kind of subtle and fragmented ghost balance...
Speaking of characters, Klaus's character creation is not bad, arrogant and cautious, vicious and a little (pseudo) heroic feeling of sympathy. At the beginning, he was unshaven but still felt like an elite villain with a brain. Several shots showed his extremely blue pupils, a bit like Amon. After shaving the beard and adding scars, and with the blessing of the military uniform, it is really handsome and flying. At first I thought it was a bit like freckles, but then I didn't feel like it at all... The subtle feeling of Nikolai... and the affectionate and tense handshake at the end... = = I just showed it and still took it with me IQ, but with the development of the plot, the feeling of IQ gradually dropped... (carpet search is still handsome)
Nikolai is a bit like a big joy... It's very attractive, and the character image stands up quickly, but how should I put it, I think it's quite satisfactory... There's nothing to say.
The other companions basically don't have much brush and ink, and the main images of patriotism and trusting partners are still easy to set up. I thought the driver was the one from "The Killing of Munich", but it turned out that it was not the same person? Too similar... His image should be relatively detailed, but obviously his portrayal is only within the range of the tank... Anne's image... There is really nothing to say...
In short, the picture is first-class, the story is second-class, and the shots are third-class (not so much).
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