I love the fact that at the end of the movie it sits and says, the people from his hometown in the book can't go, and he can't go back.
The plot of the movie is very simple. The protagonist won the Nobel Prize for Literature, returned to the place where he was born, and stayed for four days. The author wrote the four days into the plot of a novel.
The protagonist made a name for himself by winning the Nobel Prize in Literature, and he refused. All the large media and universities, only one person chose to go to his hometown without an assistant. I think he has to go, it's like an addiction or a relationship, he knows he probably won't get what he wants in the end, but he can't help but go back, where he made him, he wants to understand himself Must go back. So he chooses himself, he doesn't want the assistant to see what makes him.
In fact, I feel that the first scene in my hometown may indicate that the trip is not going well. The car broke down halfway, no one, and the two of them had no phone, so they could only stay in place for the night. Interestingly, he talked about it by the campfire. The story is a tragedy in which all the protagonists die. And the last time, when the car that the first love took him away from broke down on the road again, he could only be her husband's car, and the first love's husband and prospective son-in-law shot him in the dark night.
The people in the town started looking for him for all their activities in those days and wanted to borrow his light, but when he made a different opinion, he was furious. They seem to be fixed, all thoughts and paces are at a certain pace, and they want the male protagonist to add luster to them but cannot change the original rhythm. And the male protagonist acts like a rule breaker, an intruder, so he is disgusted.
The turning point occurred when a resident wanted a wheelchair of $10,000 (the male protagonist in the film originally said that his request was like extortion, which is not uncommon in today's society), and he refused it in violation of his own principles. Then the resident made a fuss about his speech, exposing that all his books were meant to belittle the locals and flatter the Europeans. The other is the sudden courtship of the daughter of the first love who suddenly appeared at the door of the hotel. In the end, her father and boyfriend came to chase and kill her. After the male protagonist was shot, he said the end. Turns out it was only part of his book.
A reporter at the scene asked how many real parts of the book were in the book. The male protagonist showed the scar on his chest and asked if it was a surgical scar or a bullet? No matter which wound was hit by a bullet or not, the hatred in his hometown for not being able to respond to his demands is estimated to be real, and the bullet of hatred is estimated to be really shot. This shot reminds me of the one at the end of the hunt, the maliciousness was there anyway.
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