The most efficient way to destroy a writer is to make him famous, attacking his shield with the spear of his son, so that he can beat himself with his own pen. And the writer's way of self-transcendence is nothing but fame, and fame can be used as a yardstick for verifying the so-called absurdity of reality. The great man rubs the reality into the absurd, and the life fugues literature, and literature complements the life, and the writers at this time have great joy. Otherwise, you will either become the "tax payer of language" in Wang Xiaobo's mouth, or you will fall into a sea of mental hardship and cannot extricate yourself. These are the absurd fates of most writers who are extremely bitter.
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