Ip Man settled in an urban village in Hong Kong and lived with ordinary proletarian workers, but he was a great man wherever he went. Although Ip Man was penniless, but with his ability, the temperament of both civil and military, and the charisma of dealing with others , you will be able to gather a group of apprentices who are sincerely convinced, this is not a fabricated protagonist effect, this is the natural charm of a generation of masters.
Ye Wen accepts apprentices but does not put up signs, is afraid of his wife but not afraid of local snakes. This film has no generalities, no national righteousness, even if it supports the workers' strike, it only says "how to fight with outsiders if you don't unite yourself", facing the last Boss, the local snake, it is only because of hurting his beloved disciple. Only then did he rescue him, and finally he was handed over to the police station for justice. According to the popular way of doing bad movies, after the gorgeous defeat of the BOSS in the last blow, it is natural to flick the sleeves, make a pose, and then walk away.
After watching the movie, I think it's good and I'm used to Baidu. It's no exaggeration that this movie is called "The Second Half of Ip Man's Life". The narrative style is approachable. Biographical films. Watching "The Grandmaster" again, I really can't see it. The beginning is the dark night, rain, and shaking shots. Occasionally, the splashing rain is set off to set off the flower fist and embroidered legs. Tony Leung's pose makes me want to vomit, doesn't it look like the Matrix? TMD, in Looking back, the masters will compete with each other, take a group photo first, and the clothes of more than 20 people are the same. The competition is not a competition of ideas. It seems to be watching "Wuji" again, and it seems to be watching "Hero" again. Unmatched lines. Some netizens ridiculed that the whole film is basically set in the dark night, which is depressing. "The Grandmaster" tells about the first half of Ye Wen's life. In fact, Ye Wen was a low-key person and rarely mentioned things before he went to Hong Kong, so it was inevitable that the screenwriter made up legends. Watching the disorganized investors of the movie again, I suddenly realized that this is the same thing as Jingtian's version of "Three Kingdoms" TMD. It's not that there are no good domestic films. Donnie Yen's Ip Man is equal to the ticket price, Huang Qiusheng's Ip Man is greater than the ticket price, and Ip Man of "The Grandmaster" has been filmed for three years, there must be a reason, investment and effect cannot be equated , especially when encountering well-known domestic directors such as Zhang Xmou, Chen Xge, Wang XX, etc., you must keep your distance. There are too many Chinese people who have money and no goods. Except for real estate immigration, there is no good investment. Bad movie, bad technique.
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