Eighty-one-eight starring, Huang Qiusheng: third-level actor, Chen Xiaochun: pheasant brother, Yuan Yongyi: innocent child, Zeng Zhiwei: golden supporting role, Chen brother. Zhong Xintong: Teacher Chen loves Ji. else. . . . . . This kind of Cass brings together the three generations of Hong Kong's old, middle and young generations. In the mainland, 70% of the market likes to discuss films with actors and directors. It is really unattractive, but it is there, basically produced by Hong Kong, made in HK, is a touch of color in the decline of Hong Kong movies, whether you call it bloody or emotional. It is a pure Hong Kong film, but it has lost the vigour of the past, and the Hong Kong film has faded. . .
But after the sad words, let’s say something good. There are shadows of old Hong Kong everywhere in this movie. Whether it is the arrangement of the scenes or the way of expression, we all seem to know each other. There is the shadow of "Kung Fu", and "Kung Fu" has the shadow of Hong Kong movies. I like to comment on Xing Ye like this, after "Kung Fu", there is no more Kung Fu. I will still support "Yangtze River No. 7" and "Journey to the West: Conquering the Demons", but apart from imagination, everything else is a shit, yes, shit. Don't scold me for being a die-hard Xing Ye, Xing Ye is a good actor, but "Journey to the West" is Liu Zhenwei's work (of course, Xing Ye is also a must), and there is also a director named Li Lite, who has made a lot of films, "Betting on the West". The director of "Xia" is Wang Jing (the king of bad films is not necessarily bad), and the director of "Ji Gong" is To Qifeng, the godfather of police and gangster films. . . . . . Of course, a good work is the result of the cooperation of director + actor + behind the scenes. I have said a lot of off topic, but it is the heyday of Hong Kong movies. All kinds of talents have created Oriental Hollywood, and "Kung Fu" is the end of the heyday (of course, it is not too accurate), "Kung Fu" is full of It has a taste of Hong Kong, and the slums have gathered into a place called "Pig Cage Walled City". All kinds of Xingye's childhood experiences are integrated into the film "Kung Fu". , how can it be comparable to "Journey to the West: Eliminating the Demons".
Hong Kong movies have always been the only show, still its police and bandit movies, as well as heavy flavors mixed with small fresh movies (represented by the Peng brothers), a sentimental work "Ip Man", it has to be said to be a bright spot, although the narrative is mediocre and the dramatic conflict is insufficient . But let me finish reading an ordinary work calmly, this is the first time. You look, or you don't, it's there, good or bad. So I want to recommend this work to everyone, don't watch her with the heart of a blockbuster, she is not Teacher Cang! ! !
View more about Ip Man: The Final Fight reviews
