Although the film has repeatedly stated that it has nothing to do with the original Ye Wen, the scenes such as the rooftop and the martial arts hall still make people feel familiar, quietly paying tribute to the original series of movies. The yellowed main color, the changing cheongsam, and the numerous street advertisements all show the Hong Kong style paintings of the 1950s. In the 1950s, was it better to live in Foshan or in Hong Kong? The film actually raised this proposition implicitly, but did not dare to answer it directly. Life is like a mustard, whether you are a master or a trader, it is determined by the great destiny of the great era. "Outside the Province" is the biggest attraction of the film. The elusive love with Ye Wen and the fate of the confidante make people feel embarrassed. That touch of faint sadness becomes the footnote of the whole style painting, which makes people unforgettable.
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