The piano is pulled back and forth. Love is repeated tearing.
Still willing to believe that the old man and the young girl is a sad love story. would like to call it love.
The most prominent feature of this film is the entanglement of image selection and soundtrack.
One of my favorite details: the girl holds the hook in her mouth, pulls in the line with her hands, and strums to play music.
Record the academic discussion with Mean Young:
— "Kim Ki-duk has no love, only instinct, no value and morality. Many girls don't like it and feel that they objectify women.
— "I like it very much. In the universe dimension he created, men are supposed to objectify women, and women are also objectifying men. Everything is objectified and instinctive.
— "Everything is Freud: Sex
— "It is of little significance to judge Jin Ji-de with the moral and value system of today's real world dimension.
—“The so-called morality and law are basically a rule
- "Most people can only judge a work by their own life.
—“And Kim Ki-duk has his own set of rules
- "The most primitive law of nature, human nature = animal nature
—“The mystery and religion in his films are not Buddha, Jesus, God, but an absolute law that cannot be ignored and will eventually lead to the same destination. Maybe it is consistent with what Lao Tzu and Plato said, no matter what beliefs people use to resist, or You cannot escape from the so-called fate.
- "The sex he describes is an absolute law, a kind of material movement.
—“A movement of matter that exists forever and ever.
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