The drama is a good drama, although the time doll is an all-purpose old stalk, and many people also comment that the logic is not much better than "Previous Destination", but many settings/creatives and plots that diverge from the latitude of time are not bad. In fact, reasonable and interesting.
The mystery of the whole film is also well created, the suspenseful energy is enough, and many times, when the answer is revealed, it can be worthy of the atmosphere created, and it can give some satisfaction to "the way it is", but the setting is indeed unavoidable. Sets - experiments with children, mysterious religions, big bosses who can't tell the purpose, bridge between positive and negative bosses, young male protagonists of light and hope, fake prophet identity of fools/madmen, etc.
But in general, the rhythm of filling the hole is still there (here is a slanted eye from a painful old drama fan who used to chase "lost" every week), many places, especially the parallel world of the next third season ( Guess) setting, there is a lot of immediate visual sense of "Edge of Crisis".
Basically, I was very satisfied until the middle of the second season. This is not easy, but obviously, such a huge and complicated plot line and character relationship will inevitably lead to it. There is no way to not completely end it. The great screenwriter, except for some short stories of Magic, has basically never seen a story line that is 100% not bad.
The first crash point is in the second season 06. Jonas returned from the wormhole in 1921 to his father's suicide. In fact, the audience here can already feel that this is most of the game set up by Adam, but the screenwriter still bites the bullet and goes along Go on, ok, that's fine too, it's better than having to do some shit in order to surprise the audience. However, he finally gave up/failed to stop his father from committing suicide for "some" reasons, which is really unbearable here. No matter what the reason is, it is completely unreasonable to have to arrange this cause and effect in this way. It is redundant and unpleasant, either to make up the time, to delay the progress, or it is obvious that it will not be successful.
The second crash point is that claudia (the female director of the nuclear power plant) accidentally kills the father Egon. Even if it is necessary to arrange her blackening and set a tragedy, this plot is too eye-rolling. First of all, it is too easy to guess. There is a kind of suspense for a long time, and you will give the stupidest answer? big fire. Second, it really doesn't make sense! Why does the father have to desperately call the police, can't he discuss it with his daughter? Why does the daughter have to be extremely opposed to it? Is there no other way? And then just miss it and die? ? This conflict is very inexplicable, and death is also inexplicable! ! This is really unacceptable.
The third crash point is that a new martha appeared at the end of the second season. What the hell? It didn't have any obvious enough hints and lay out before, and it appeared a little inexplicable. Of course, it may be possible to watch her later. The plot line of , but no matter what, such a sudden appearance is definitely a failure, at least it should be obvious somewhere, it is better to bury it in advance.
The last is the rationality of the motives of the characters, which is generally the most difficult to deal with, especially in long episodes, when several sudden reversals are required, it is easy to contradict and be confused. In this regard, the show is also very poor. The two bosses, the soldiers below, basically did not do a good job in the clarity of the motives and the theme of destiny, and it is very suspected that the screenwriter did not do well at all.
In terms of art and music, sci-fi settings and visuals, the production level is online, and the creation and setting can only be said to be a bit old-fashioned. The music is not bad, but the goose turned over various OST introductions, and I still can't find the OST I was looking for the most (it seems that every time I follow a big drama, the best ones are short OSTs without vocals, and then I can't find it every time), which is the OST of the first shot after the opening song of s1e1, where Jonas opens the refrigerator, that melody is highly recommended.
Actors and acting skills, I don't want to comment on it. I still think that whether a drama is good or not, actors can only account for 10% of the importance. If I have to say it, I actually think that Charlotte and Hannah acted pretty well, restrained and mature.
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