I like the logic setting of the script very much. As long as you keep peeling and peeling, you can keep reversing. Those time travelers who cannot escape fate in the time loop are intertwined and have the opportunity to rewrite the history they thought they could rewrite, but this is A super-reversed script with a larger loop outside the loop, as long as the screenwriter is willing to allow time, he can develop like any supernatural theme, the expansion coefficient of the script is very high, and the viewing value is very high, but the temperament will not change after three and four seasons. Let the audience lose excitement in the nesting of reversals and reversals. I don't think this is the victory of brain holes and fancy logic, and it is the screenwriter's patient knitting game, so are we going to grow up with this big pit? I remembered the "Game of xx" that accompanied me for a third of my life to build a world and use new and larger worlds and unknown forces to constantly make the audience's common sense fail. It was a script of a nesting doll model. Now we have a The script in the loop knot mode... I admit that he is wonderful, but I can't help but play. After all, I smelled the smell of the parallel universe at the end... In which loop does the script of the world change? Our attraction is the Is the script process feeding or those brain holes that we are amazed at? It's not a new subject anyway.
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