The original intention was to connect the spoken language (it's useless). The music is very satisfying. Compared with the first season, I watched it a bit in a hurry. After seeing the bigger pit at the end, I honestly don't think it's a lot of extra points.
I have seen the film about hackers that the director/creator cooperated with and it is not a little cliche. Personally, I feel similar to this show: the way of storytelling is very attractive at first glance, and it can even be said to be quite innovative (plus this show has another It is the so-called "brain-burning" that various lines are mixed together to tell the story) but if you look closely at each character, they are very flat (the comparison between Katharina and Ulrich is quite interesting), the suspenseful atmosphere deliberately created may be a bit tricky and inexplicable after reading it. Fear and various discomforts
Maybe putting a bunch of esoteric theories/religious philosophies in it looks very powerful and cool, but the core idea is really weak and weak, or at least it can be said to be overpowered by these elements, so that the whole work Sora has an appearance that looks great
On the other hand, Babylon Berlin is an excellent counter-example (personal opinion)
Sure enough, the Matthew effect in the field of scoring should be viewed rationally. I feel helpless about the articles/drama reviews of various dramas in my head (if you are in a low mood at this time, go to the video essay of Storytellers or Will Schoder and other YouTube channels, which will make people have a lot of hope for the world...)
And I'm worried about the breathing pattern of the guy playing young Jonas. See the video from What I've Learned a long time ago.
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