has their own opinions.
Briefly talk about directing and acting.
Also saw À bout de souffle (Breathless) today,
one of the first French New Wave films.
I think that Chen Yingxiong moved to Paris to study at Louis-Lumière, and he
should also be influenced by this wave.
In addition to the complicated switching of shots, the
revolutionary editing techniques,
whether it is À bout de souffle or ノルウェイの森,
many Japanese and French films I have watched,
I have always had doubts in my heart.
Is this acting?
Not acting.
The actors are generally indifferent,
unable to see emotions.
Sometimes I feel like
this is a very sly move,
the director who can't make a decision,
throws the choice back to the audience:
whatever you make out of it!!
But sometimes I think,
isn't this the deepest Zen? The main idea can be best highlighted
when the side branches are minimized to the maximum . A really good movie will not cast a person who has a bright appearance or who acts too hard. And in ノルウェイの Mori, there is no actor who can take away spotlight. ho と な く ね,
I was still deeply moved.
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