The road of poetry leads to beauty, but it is clogged with blood, and the bright red umbrella protects the reality. Li Cangdong's works are always reality, and there is no bright light. Because reality has only length and width, not thickness.
Li Cangdong's characters are very real, because he always shows you the most complicated aspects of life. This distinct style is a creation, or a return to nature, of the film itself. The beauty of artistic conception laid out flat is the elegance of the form, which reminds me of The Book of Songs; it injects a unique strength into the work. At first glance, it is just a plain discrete narrative, but afterward, it can be tasted again. The so-called aftertaste is full of fragrance. Hazy and realism can coexist.
Why did she want to satisfy the old man's physical and psychological needs? The purpose of people's actions is never clear and single. Ten thousand conscious activities give birth to a behavior. If you try to interpret it, you must first make it exist as a real story, use your own life as an annotation, hold the camera and watch it. The use of follow-through techniques is also used to outline authenticity.
How does one face evil after choosing to seek beauty? So she has two identities, a poet and a bad boy's grandmother. The shimmer can't solve the mess, but it can always make people taste the sweetness, and this alone makes all the savage human beings in the world flock to it. But man is a social animal, how can he be a poet all the time?
Don't dare to kick the ashes of burning coal
Have you ever been hot?
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