It's really boring that a lot of handsome swordsmen indulge in the love of their children. Admittedly, fighting and killing is boring. But love to love to go is more boring. Obviously it's a polyamorous love story, but it has to be bluntly put on the heads of a few people in the east and the west, and why is it deliberately gaining popularity? I think a few people in there might as well be called Xiao A, Xiao B, Xiao C, or Xiao Huang, Xiao Ou, and Xiao Hong.
Those people who are evil in the east and west in the west, with such rich and delicate feelings, why don't they do F4, and what are they doing as heroes? This is a film for women. I advise men to watch less. (I didn't say don't watch it, I mean watch this kind of film less) It's not a good thing for a man to have too many too delicate emotions.
When I think about it, some of the plots are a bit cloudy. Can anyone explain to me why Hong Qi would help the woman kill for the eggs. And why did that woman leave him without saying goodbye in the end? (Could it be that the director just wanted to say that you don’t necessarily have a corresponding reward for a person if you are attentive, and betrayal is inevitable?)
Well, the shortcomings are almost over, let’s pick up a few advantages. First, the production of the pictures is beautiful and picturesque, and the big directors who pay are different. For example, Zhang Yimou's golden milk, the big scene was not made by ordinary directors. (There is one place that was not filmed well, that is, the broken finger. If it weren't for the dialogues that followed, I would not have known that the finger was in the shot. The fingers of this prop are too random and rough, right?)
Second, some provocative Thoughtful lines. For example, the other side of the desert is still the desert, and when you turn to that side, you find that this side is better. When a person suffers a setback, he will always find an excuse to cover himself up. Why wait until he loses to win? Since this is the case, I will not let him get it.
Above and so on. The emotional confusion that every young person encounters may be called the troubles of young Werther. I also saw some microcosms of myself in them. Feeling the impermanence of some world events, life always leaves us too much loneliness and sadness. These resonate with me.
There's just a little bit of meat on the chicken ribs. In short, I don't like Wong Kar Wai's movies, like In the Mood for Love. Although the concept of the work is still good, the performance is still too ugly and unattractive. I don't know why when I talk about In the Mood for Love, I first think of Lust Caution, why Li An's Lust Caution is so good-looking.
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