hypocritical

Roxane 2022-03-18 09:01:06

Panasi, who was once an assistant director of Abbas, was greatly influenced by Abbas. In the play, he took the role of "director" as the first protagonist, and used the form of pseudo-recording to discuss "fiction and reality" all over Abbas' traces. And Panasi's cultural censorship of Iran is even more painful, and he also uses this drama to express his thoughts in his heart. This movie is worthy of support, and it is definitely a typical example of low-cost movies. The most important thing about movies is the concept

Evans 2022-03-28 09:01:11

# ArchivesPhoto# A special immersive viewing experience, the length is shorter than expected (the imagination space is very large), a few paragraphs of records from small to big and careless (specially created real texture), and the sudden The ending of the gods (returning the money but being stolen) can be described as ironic... No matter when and where, there is an urgent need for such powerful image writing, which is related to the censorship system and the current situation of the film practitioners' survival (worldwide issues, cold realism = negative energy?), the small carriage is actually a big society. Taxi connects various social problems in Iran (the point is so far), but all of them are sharp and profound. The valuable thing is that they are only presented objectively without commenting (similar to "It Must Be Paradise"). Post-screening thinking: The director lowers his body (incarnate as a passer-by?) and can touch the real essence to shoot a masterpiece of vitality. On the contrary, he can only apply those sculpted and beautified reality to shoot inappropriate garbage. Jaffa Panasi starred and directed, and personally practiced the right to not give up the right to make movies until death. The story outside the movie is even more shocking. Finally, this flower is dedicated to people who love movies, because they are the hope of this world.