This film really made me fine-tuned, and the style of painting was quite unusual.
Whenever there is a scene where Uncle Ba appears, it is really cold, cold, oppressive, and cold. Whether it is his own aura or the rendering of the movie scene, it is always melancholy and cold; but goose~~~ ! ! ! As long as he doesn't have a thick line lens, it's really low, cult, colorful, crazy, middle second, mentally retarded, and crazy.
The whole film flew over in my perception of going up and down, sometimes "I'm going" and sometimes "Wow". And looking at this posture, this ending, it is appropriate to make a sequel. . . So I was angry and looking forward to it, and I became more refined. . . . .
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