The third brother dissects the old man

Foster 2022-12-21 13:11:16

Miike Chongshi is definitely a strange uncle in life, um, yes, this is the conclusion that my movie Xiaobai followed the third brother for a few streets. Or, this conclusion can be further stated that the third brother has become a full-time strange uncle expert, and the third brother has become a full-time strange uncle expert. No matter how weird, bizarre, silent, repressed, ignorant, and cute uncle can be shaved to the bones in his hands, like a cook. To solve the cow, there is no complete cow.
I vaguely remember that the first time I watched the movie of the third brother was "Skin Cut Love", hehe, I was completely attracted by the sm heroine with a syringe in her hand and the scene of the legendary cut cock (although listening to the egg Pain), but I didn't expect to see the movie and found out that the heroine is just an inflatable doll, the plasma is just an aphrodisiac, and the real climax is the uncle of the male protagonist! Chunmeng, being sm'd is the uncle's subjective wish, all kinds of sm's cuts are to express the uncle's outbreak of sexual repression after the middle-aged bereavement of his wife.
So, after watching "Skin-cut Love", I stepped into the anatomical experiment of Uncle Chongshi Miike. part, none. (Of course he was also almost scrapped because I dropped my phone in the toilet while watching the movie) This time, the third uncle captured a cute and cute middle-aged gangster brother as an anatomical object, and vividly described the heart of the younger brother after he fell in love with the boss. I want to cover the complex psychological changes in the tide, and explore the way for middle-aged men to be together happily and harmoniously (I saw the boss, the younger brother, and the kimono boss happily together, and I feel that the world is harmonious and beautiful), in the third uncle. Jacob's younger brother chopped and stewed. After being abstract and figurative, he found that the middle-aged man was still very ignorant and innocent.
Then I watched the movie this time, and found that the third uncle was still dead, and still devoted absolute attention to middle-aged men, and the English translation of "Memoirs of Ghost Tricks", imprint, showed the director's heart of Sima Zhao, but this time the protagonist changed. For a middle-aged beauty. Although the beginning of the story is somewhat strange, it is still beautiful. The American uncle traveled thousands of miles to the prostitute island. The dedicated hero who gave up the whole forest), but he learns that Xiao Tao has committed suicide. He tries to learn the reason for Xiao Tao's suicide from a woman with a half-faced disfigurement, but the more he exposes the lie and gets closer to the truth, the more he realizes that the answer seems to be Insinuating, in the end he chose to kill Xiao Tao, throwing himself into prison, and seeking liberation. Although the narration of the film seems normal, it is suspicious. First, as a bystander, how does Yankee know that what the woman with half-face disfigurement is telling is a lie; secondly, why is Xiao Tao killed by the male protagonist again after being declared suicide; Finally, why the sister curse, pedophilia, incest, etc. of the disfigured woman growing up can have some kind of inner connection with the upbringing experience of Yankee. All these problems can only point to one explanation, the story in the movie is not absolutely objective (it was implied by the prostitute's mouth), he was interfered by the subjective will of the Yankee. In other words, this movie is another middle-aged Yankee anatomy class arranged for us by the third brother. He uses the ghost experience of a ghost prostitute to tell the struggle of a tainted middle-aged man.

PS: This is my first time writing about my movie viewing experience (saying that the movie review is too flattering), please forgive me and correct my omissions and mistakes.

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Masters of Horror quotes

  • Walker: [first lines to a run over rattler] You're not done yet!

  • Jim Wheeler: [to a bound captive] I never get involved in another man's work.