Japanese-style perverted violence aesthetics

Alphonso 2022-09-22 07:28:16

The film I watched a long time ago still flashes some weird, perverted, and terrifying scenes and pictures in the film. The feeling at that time only stayed in the terrifying mood that the director tried to create. There was not much dabbling in the deep theme of the film until I watched it. After reading the Chinese script of the film, I have a more comprehensive understanding of the overall temporal flow and spatial layer of the film...
I have always believed that the deep-rooted part of Japanese culture is "color", whether it is popular since the Edo period The ukiyo-e of the novel, the "Sleeping Beauty" by Yasunari Kawabata, the modern Nobel Prize winner for literature, and even the mainstream awareness of "color as a career" in today's Japanese society do not implicitly reflect the inferiority of Japanese culture - "colorism" in addition to this In addition, the aesthetics of perverted violence is also widely figurative in the field of psychological horror films, such as "Midnight Bell" and "The Grudge" series has become a model that Asian horror films are competing to imitate. Strong production and visual impact, but the terrifying atmosphere rendered by the eerie and thrilling soundtrack and gloomy and dark scenes is deep enough to be deadly. There is not much violent carnage, but there is a perverted breath emanating from the cells that is creepy
. Imprint" is undoubtedly a horror movie with typical Japanese blood - the color is strong, morbid and out of character, and at the same time it combines the material of Western horror movies - schizophrenic, perverted, criminal, violent horror film uses "color" throughout, which is both Chris's deranged nerves The etiology is also an important means for the plot to unfold. It echoes with the larger environment of the background of the story. It is like a small island of purgatory on earth. There are corpses everywhere. Even the air is filled with a kind of decay. Devouring everything around, all the sins and depravity of human beings are gathered here. Any unimaginable tragedy can happen here. Time seems to stand still here. Space seems to be twisted and traversed here. This is the island and all the ghosts and monsters that depend on it. The ugly, evil and perverted spirit is not only Chris's incomplete and unbalanced spirit. The world is a symbol of the cruel reality of the loss of humanity...
It is worth mentioning that in this film Komomo was tortured, the director's shooting was extremely real, from fragrant armpits to needle nails, from hanging torture to urinary incontinence, the naked female body was tortured to death, the heart-wrenching pain has been destroyed This weak woman's nervous system is on the verge of collapse. This perverted method of destroying her will makes me involuntarily think of another Japanese erotic movie "Flowers and Snakes". The method of integrating perverts into porn may only be the ultimate in Japan. The author really dare not agree with it as an aesthetic category, but it is undeniable that the shock force cannot be underestimated. Many conscious behaviors spawned by perversion are becoming the creative theme of more and more filmmakers. Letting the public understand the dark side of the human spiritual world from another side may be a way of self-understanding...

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Masters of Horror quotes

  • Walker: [first lines to a run over rattler] You're not done yet!

  • Jim Wheeler: [to a bound captive] I never get involved in another man's work.