The Siberian landscape and the simple and sincere passion of Russia

Lynn 2022-10-31 03:48:49

The following is excerpted from the detailed explanation of the small partner, for the record to explain why it is a barber in Siberia

The Barber of Siberia, borrowed from Mozart's opera "The Marriage of Figaro". I want to understand what the screenwriter or director means, maybe start with "The Marriage of Figaro".

"The Marriage of Figaro" is a four-act opera composed by Mozart. The opera is based on three plays of the "Figaro Trilogy" by French dramatist Beaumarchais, namely "The Barber of Selivia", "The Marriage of Figaro" and "The Sinful Mother". Rossini composed "The Barber of Selivia", while Mozart chose the second "The Marriage of Figaro".

Figaro, the barber in Selivia. The plot, to put it simply, is that the barber Figaro once became the earl's servant because he helped the earl pull the hood and pull the fiber into a marriage. And the countess, who was finally caught up by the earl, was neglected by the earl; the earl's new love was the maid Suzanne. Suzanne is Figaro's fiancee. (At that time, European nobles had the right to the first night of their servants. The Count had already announced to give up the first night of Susannah, but he wanted to go against it. It can be seen that the situation is not objective.) However, with the help of friends, Figaro and Susannah , The countess deftly defended their marriage together.

The actor in the film "André Tolstoy" played the protagonist "The Barber of Selivia: Figaro" in the opera they rehearsed. The situation he himself encountered was somewhat similar to that of the Selivia barber. The headmaster of the military academy fell in love with Andre's beloved woman: Jane. ; just because there is only Andre. Tolstoy could sing the role of Figaro, but not to Andrei for the time being. Tolstoy punished.

The climax of the film should be the military academy rehearsal of "The Marriage of Figaro" which premiered for the Duke. The director chose the first and second acts of the opera. In the first act, the director took the last aria: Figaro sang the "Song of the Army" for Cai Rubino. This aria is quite famous, it is clangorous, catchy, and very nice. And this aria is also Andrei. The first time Tolstoy met Jane on a train, at Jane's request. Therefore, this aria has a certain meaning for Andre and Jane. In the first act, the Count wooed Susannah, but the servant listened to him; he gave up Susannah's right to the first night, and took out the servant Kai Rubino and asked him to join the army. In this way, Figaro sang the "Song of the Army". The second act begins with the countess guarding the empty room, lamenting her loneliness and sadness. Then Suzanne took Figaro to the countess's room and decided to find a way to deal with the count. These are the two clips from the film. The second act has changed, and it's a shame that Susannah's wonderful soprano has been omitted.

andre. It was during the intermission between Acts 1 and 2 that Tolstoy heard the conversation between Jane and the general. Thinking he was betrayed and insulted, he rushed out of the theater and was retrieved by Mo Jin. This is Andre covered in rain, trembling and singing his aria on stage.

At the end of the film, because sincerity does not allow impurities, because of sincerity, I miss a lifetime. It also motivates the two to pursue each other in this lifetime.

Missing it again, Andrei watched Jane disappear into Siberia's back, which moved people. Perhaps at this moment, the explanation is not important anymore.

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